QEST and The Prince’s Foundation have launched the Building Arts Programme, focused on the core belief that our built environmental is a collaboration between a vast array of different disciplines which are all fundamentally linked.
Intended for students of architecture, building crafts and decorative and applied arts, this interdisciplinary programme will provide a space for rediscovering shared learning and practice, enabling students to explore the multifaceted nature of the built environment. Graduates will be well positioned to approach their practice in a manner which is both better informed and multidisciplinary, working with others to create a built environment which is more than just the sum of its parts.
Teaching will take place at Dumfries House, Ayrshire, but the course will also include a 12-week individual industry placement, giving students the opportunity to hone their skills within their own trade.
For more details visit the QEST website to download the course overview and application form.
Photo credit: Thom Atkinson
Cambridge Woodwind Makers is a not-for-profit organisation providing a platform from which to preserve and teach the skills associated with woodwind instrument making and repair… skills that, according to the Red List of Endangered Crafts, are endangered.
“After many conversations with my colleagues around the world, we have come to an unfortunate conclusion. We are none of us (recorder makers certainly) getting any younger. We also look around and see the same faces at exhibitions and shows that we saw twenty years ago. Great for professional solidarity, but worrying in other respects.”
Tim Cranmore, recorder making tutor at Cambridge Woodwind Makers
Daniel Bangham, classical clarinet maker and founder of Wood, Wind & Reed music shop in Cambridge was one such colleague and was feeling his own ‘old age’ approaching. This led to the founding of Cambridge Woodwind Makers, formally established in October 2011. With his own experience of making, lecturing in instrument repair, business experience and an extensive network of interesting people he was well placed to do something about the pending situation.
Cambridge Woodwind Makers intends to share skills and preserve them through encouraging active participation by anyone with an interest. Its courses range from one day to two weeks. You can make a classical clarinet, a baroque oboe, a long trumpet, a recorder, a cornetto and now, a flute. Day courses are on offer in repairing instruments, the miniute of clarinet barrels, and making oboe reeds. it has also started professional development courses for repairers in the niche skills of key making and will add specific tool making courses too.
There are people interested in these skills, locally and internationally… some just as a once-off treat, some musicians who recognise the extra joy that can come from making their own instrument to play to their own tune, and, importantly, individuals genuinely interested in taking up the baton and going professional. All are valid contributions to the organisation’s vision.
Cambridge Woodwind Makers also now has an associated organisation: Cambridge Art Makers. Although not as focused on endangered crafts, if anyone is interested in teaching workshops at their studio or workshop in Linton, south east of Cambridge, please email email@example.com.
Stephen Wessel – photo by South West News Service
The Heritage Crafts Association (HCA) has set out to save British flutemaking by seeking potential trainees interested in learning this intricate and highly-skilled craft from a retiring master.
Stephen Wessel from Somerset is currently believed to be the last full-time craftsperson in the UK making fully handmade Boehm system flutes.
Stephen’s impending retirement, after 35 years in the business, not only ends a long and illustrious career, but could signal the end of flutemaking in the UK – a proud tradition stretching back to the nineteenth century.
Even before news of Stephen’s retirement, the scarcity of British flute makers had led to the craft being reclassified as critically endangered in this year’s edition of the HCA Red List of Endangered Crafts.
As the organisation set up to safeguard traditional craft skills in the UK, the HCA has teamed up with Jonathan Myall (a lifelong flute enthusiast and owner of Just Flutes in South Croydon) who has offered to host and support a trainee while they learn the craft from Stephen.
The successful applicant will be keen to learn, will have a proven ability to solve technical problems, and is likely to have existing engineering skills (such as those gained from precision silversmithing, jewellery or model engineering) which will serve them well when learning to make the key mechanisms that create the beautiful even tone for which these flutes have become famous.
Stephen Wessel said:
“I started my working life as a research engineer. I didn’t care for it and left aged 26 to do my own thing… a good decision which I have never regretted, for I love making things and you can’t do much of that sitting in an office. Ours is still a great manufacturing nation and in my small way I feel proud to be part of it.”
For more details and to express an interest in this potential opportunity, applicants can contact Mary Lewis, HCA Endangered Crafts Officer, at firstname.lastname@example.org. Applicants should note that the traineeship is dependent on the HCA and Jonathan Myall sourcing additional funds once a suitable candidate has been identified.
Zoe Collis, apprentice in the critically endangered craft of commercial handmade paper making. Photo by Alison Jane Hoare.
The Heritage Crafts Association (HCA), which earlier this year published the latest edition of its groundbreaking Red List of Endangered Crafts, has been overwhelmed with high-quality applications to its new Endangered Crafts Fund, launched on 1 July 2019.
So positive has been the response that the charity is now looking for additional donations to save even more of Britain’s most endangered crafts from oblivion.
Applications to the Endangered Crafts Fund include proposals for mentoring in marketing or business development, the provision of tools for trainees, and the creation of online educational resources to pass endangered skills on… all interventions that will help ensure that endangered crafts continue into the future.
The publication of the HCA Red List of Endangered Crafts in May 2017 showed that the heritage crafts knowledge, skills and practices that form an important part of our shared cultural heritage, are – for a number of reasons – at risk of being lost. The HCA believes that these cultural assets are as important as unique heritage buildings and ancient beautiful landscapes and could provide future generations with fantastic opportunities to enrich their lives and the lives of others.
HCA Endangered Crafts Officer Mary Lewis said:
“We are so grateful for the donations we have received up to this point, which will provide critical support for some of the interventions needed… but it isn’t enough. We need more funds to prevent as many endangered crafts as possible from becoming extinct in this generation”
Donations make a real difference, with both smaller and larger amounts ensuring that craft skills are supported for the future. The Heritage Crafts Association will publicise instances of where donations are spent and the difference it has made to the survival of endangered craft skills.
Click here to donate to the Endangered Crafts Fund. For more information about the fund, email HCA Endangered Crafts Officer Mary Lewis at email@example.com.
The Irish Government have registered their first list of 30 cultural practices as part of their commitment to the 2003 UNESCO Convention on the Safeguarding of Intangible Cultural Heritage, including traditional crafts such as tinsmithing, currach making, lacemaking, embroidery and basketmaking. Minister for Culture, Heritage and the Gaeltacht Josepha Madigan called these practices: “threads in the cultural tapestry of our lives that make us richer as individuals and as a country”.
Irish crafts registered include:
- Limerick lace
- Irish crochet lace
- Mountmellick embroidery
- Traveller tinsmithing
- Sea currach making
- Letterpress printing
- Carrickmacross lace
- Dry stone construction
- Boyne currach making
- Loy digging
In December 2017, Ireland ratified the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. In stark contrast, the UK is one of only 17 of the 193 UNESCO member states not to have ratified the Convention, and is thus unable to register its traditional practices alongside those being celebrated and safeguarded across the world.
Tinsmithing is on the UK Red List of Endangered Crafts as critically endangered, meaning that it is at serious risk of no longer being practiced in the UK, with the current expectation that it will enter the next edition of the list as extinct in the UK. Coracle making and letterpress are currently also on the UK endangered list, with certain forms of lacemaking, basketry and dry stone walling also facing uncertain futures.
The Heritage Crafts Association helped set up an All-Party Parliamentary Group for Craft last year and will be continuing to advocate for better recognition for intangible cultural heritage to UK Ministers and Government officials.
Image: Tinsmith James Collins photographed by Alan Betson