Craft status
The Heritage Crafts Red List
Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.
Extinct in the UK
Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.
Critically Endangered
Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.
Endangered
Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.
Currently Viable Crafts
Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.
Heritage Crafts Inventory
The 2025 edition of the Red List of Endangered Crafts marks a significant evolution in how we understand and safeguard traditional crafts.
This year, we introduce the Heritage Craft Inventory – a new, inclusive framework that ensures all heritage crafts, regardless of their current status, have a place where they are recognised and valued under one umbrella. This expanded approach allows us to shine a light not only on endangered and critically endangered crafts, but also on those that are resurgent, culturally distinctive, or rooted in specific communities and regions. It reflects the dynamic landscape of craft today – one that is constantly evolving and shaped by both challenges and opportunities.
Culturally distinctive crafts
Crafts designated as ‘culturally distinctive’ might have a broad uptake across the UK, but hold a particular significance for a defined community of practice, whether that is geographic, cultural, ethnic or religious. Those that are also on the Red List are known as ‘crafts in need of cultural safeguarding’.
- Canal art and boat painting (craft for cultural safeguarding)
- Cornish hedging (craft for cultural safeguarding)
- Fair Isle Knitting
- Fair Isle straw back chair making (craft for cultural safeguarding)
- Fairground art (craft for cultural safeguarding)
- Gansey knitting
- Harris tweed weaving
- Islamic calligraphy
- Northern Isles basket making (craft for cultural safeguarding)
- Orkney chair making (craft for cultural safeguarding)
- Petrakivka (craft for cultural safeguarding)
- Pysanky (craft for cultural safeguarding)
- Sgian dubh and dirk making (craft for cultural safeguarding)
- Shetland lace knitting
- Shinty caman making
- Sofrut calligraphy
- Sporran making (craft for cultural safeguarding)
- Thatching (Irish vernacular) (craft for cultural safeguarding)
- Thatching (Scottish vernacular) (craft for cultural safeguarding)
- Thatching (Welsh vernacular) (craft for cultural safeguarding)
- Vardo and living wagon crafts (craft for cultural safeguarding)
- Welsh double cloth weaving (craft for cultural safeguarding)
Resurgent crafts
Crafts designated as ‘resurgent’ are currently experiencing a positive trajectory as a result of an upswing in new entrants. Just because a craft is considered resurgent does not mean that it cannot also be endangered, but rather that its decline has started to reverse and that its situation is likely to continue improving.
Latest Red List stories
Craft skills remain under threat with 20 new additions to the Red List of Endangered Crafts
Nine more grants to help save endangered crafts
Craft skills under threat with 17 additions to the Red List of Endangered Crafts
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In case you missed Craftland author, Dr @jamesfox283 wonderful speech at the Living Legacies exhibition at @theleathersellers Hall during @londoncraftweek, he’ll be joining @heritagecrafts in the Marquee of Endangered Crafts at @craftfestival in Bovey Tracey on Saturday 13 June at 11.30am.
James is a huge supporter of the work we do and we’re looking forward to welcoming him back. He argues that to keep that Red List updated, to keep the bursaries flowing and to keep the advocacy alive Heritage Crafts need our support. So come along, watch live demonstrations, listen to makers and celebrate craft!
Tickets to the Festival available at https://craftfestival.co.uk, but once you are in all our talks and demonstrations are free to attend.
#craftfestival #heritagecrafts #craftland
Live demonstrations of endangered crafts, talks and more at @craftfestival with @heritagecrafts, in the Marquee of Endangered Crafts at Bovey Tracey.
Witness live demonstrations from:
✨Ed Griffiths and Sarah Spicer (@dartmoorshoemakers – shoe making
✨@zoegilbertson and @sophie_scanlon of LIFLAD, flax processing
✨Simon Nobs of @sthcoaststudio – woodgraining and marbling
✨ @nick_hand from the Department of Small works – letterpress
✨James Ashwell from @mottes_pots – clay pipe making
@stephs.midnight.flit – wagon painting
Talks Friday:
✨10.30am – @mashbonigala from the @theenglandarchive
✨ 11.30pm – @amy.goodwin.signwriter, fairground artist in conversation
✨2pm – @wheelwrightgreg and @wheelwright.sam – wheelwrights in conversation
✨ 3pm – @bramblecarpentry interviews @lacebynicholas – lacemaker
Talks Saturday:
✨ 10.30am – Sarah Liscoe, sail maker, in conversation
✨ 11.30pm – @jamesfox283 , author of ‘Craftland’
✨ 2pm – Elizabeth Jarvis interviews @johnwilliamson.dartmoor, Devon stave basket maker.
✨ 3pm – @katestrasdin author of ‘Dressing the Queen – 200 years of Making and Monarchy’
Talks Sunday:
✨ 10.30am – @thistlemetimbers and Harri Emery – boatbuilders in conversation
✨ 11.30am – @papilionaceouspuresilk – ribbon maker in conversation
✨ 2pm – @sarahvigarsart – marionette maker – talk and performance
Join us from Friday 12 to Sunday 14 June
#craftfestival #boveytracey #heritagecrafts #endangeredcrafts
🏴 Just over two weeks left to apply for one of three training bursaries of up to £4,000 for heritage crafts trainees in Wales who require financial support to gain the hand skills they need to set themselves on a path to success, supported by the Ashley Family Foundation.
Bursaries are also currently open for applicants across the UK.
➡️ Apply now via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/opportunities/training-bursaries/
📅 Deadline: 5pm, Friday 12 June.
📷 2024 recipient Lily Thomas
Less than three weeks left to apply for one of three heritage crafts training bursaries of up to £4,000 for former British military personnel whose talent might otherwise be lost to the sector due to the high costs of training and other barriers.
The bursaries are supported by the Royal British Legion, recognising the need for gainful employment utilising a range of practical skills gained through military service, along with the mental wellbeing benefits of such employment.
Applicants are invited to propose training that is tailored to their needs, whether institution-based courses or one-to-one workplace-based training, accredited or non-accredited.
Other bursaries are also currently open for application.
➡️ Apply now via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/opportunities/training-bursaries/
📅 Deadline: 5pm, Friday 12 June.
📷 2025 recipient Harry Walkeden
#matchMAKER opportunity!
Craft Apprenticeships (x2)
Deadline: 30 June 2026
Location: Tottenham Hale, London
@coxlondon is an art-forward studio crafting furniture, lighting and objects driven by a shared reverence for beauty and nature. By nurturing creativity, fostering curiosity and cultivating empathy, they seek to inspire a future where artistry enriches lives, always pushing the confines of what’s perceived to be possible further and further.
These two apprenticeships are three-year, full-time placements where you earn as you learn. In your foundation year, you will get a 360-degree view of Cox London and Guild Bespoke Metalworks, with hands-on training from warehouse and production to commercial sales and finance, alongside learning ancient crafts. You will also benefit from a Level 3 Diploma in Craft Skills for Creative Industries, awarded by City & Guilds.
At the end of the first year, you will choose one area to specialise in during years two and three. Combining on-the-job, hands-on training with studying, you will engage with mentors, managers, and a close-knit community daily, who will support your journey and provide the guidance and insight you need to thrive.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
📷 @mollybrennanart
Less than three weeks left to apply for one of ten training bursaries of up to £4,000 for Black and ethnically diverse trainees in fashion, accessory and jewellery crafts – for those whose talent might otherwise be lost to the fashion sector due to the high costs of training and other barriers.
The bursaries are offered in partnership with the Capri Holdings Foundation for the Advancement of Diversity in Fashion, and highlight a growing imbalance in the fashion sector, where design-focused roles often overshadow the more foundational hand skills (such as pattern cutting, sewing and garment construction) that underpin luxury craftsmanship.
Applicants are invited to propose training that is tailored to their needs, whether institution-based courses or one-to-one workplace-based training, accredited or non-accredited. Successful candidates will receive funding to cover training costs, mentorship opportunities and access to industry networks.
Other bursaries are also currently open for application.
➡️ Apply now via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/opportunities/training-bursaries/
📅 Deadline: 5pm, Friday 12 June.
📷 2025 recipient Aminat Seriki @s.i.l.e.nt.t by Aisha Seriki
#matchMAKER opportunity!
Trainee Curtain and Blind Maker
Location: Berkeley, Gloucestershire
The Boys Who Sew provide premium soft furnishing services to some of Britain’s best interior designers. They offer an end-to-end experience, which includes measuring, making, and installing, and including curtains, blinds, cushions, tracks and poles and upholstery. They sew for some of the finest public and private properties throughout the land.
The Boys Who Sew are seeking a Trainee Curtain & Blind Maker to join their growing team of soft furnishers at their workroom set in the beautiful Granary in Berkeley Castle Estate in Gloucestershire. The successful candidate will be assisting Curtain Makers with hand-sewing high-end soft furnishings.
Training will be provided. You should have good hand-eye coordination, a solid work ethic, an ability to maintain consistent standards, high levels of attention to detail and a pride in making things.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
“Beyond the Algorithm” a provoking panel hosted by @theforgespace for @londoncraftweek. @heritagecrafts Head of Craft Sustainability, Mary Lewis (@maryeluned_craft), spoke alongside, chair @rachaeltaylorgram (Journalist & author), tf_chan (Director of @collectartfair), @karinpaynter (craft strategist and advocate) and @rajeshgognasilver (silversmith and design academic, De Montfort University).
What happens to the value of handmade work, when more and more can be generated, rendered and simulated? As AI and digital culture continues to reshape how we see, make, buy and value things, this is a question every designer, maker, craft-led business, enthusiast and buyer should be thinking about.
The panellists explored why real space, real skill and real presence may matter more, not less, in this moment.
Thank you so much to @theforgespace for hosting us we had a wonderful time contributing to this discussion.
#londoncraftweek #algorithm #craft #heritagecrafts
