Training Bursary FAQs
Frequently asked questions
Thes FAQs will answer your questions if you are considering applying for a Heritage Crafts training bursary.
On this page you’ll find answers to the most common questions, ranging from eligibility, assessment, support and more…
- One for your diary – We also will be holding a Live Zoom Q&A Session on Tuesday 20 January 2026 between 4.00pm and 5.30pm. This session will provide an overview of all of our funding opportunities in 2026. To attend, please register in advance here.
What are the Heritage Crafts training bursaries?
These training bursaries offer financial assistance (up to £4,000) to individuals who want to start or further develop their skills in a heritage craft but are prevented from doing so due to cost. The aim is to support new entrants and early-career practitioners in the heritage crafts sector.
Who is eligible to apply for a bursary?
Bursaries are generally aimed at:
- New entrants who are committed to starting a new craft career and need to acquire essential hand skills.
- Early-career practitioners (in the first five years of their professional practice) who have not yet attained the hand skills required for commercial success.
- Early or mid-career craftspeople who need to acquire distinctly different hand skills to develop new ways of achieving commercial success.
If this all sounds like you – then read on for our full FAQs before applying:
When do applications open and when are the deadlines?
Though currently closed, we open applications for training bursaries twice a year.
Once in early spring, and again in early summer.
Application deadlines vary. It is crucial to check the Heritage Crafts training bursary page for the most up-to-date information on application opening and closing dates.
What is considered a "heritage craft"?
A heritage craft is generally defined as any craft that has been practiced for two or more generations, and which requires a high level of manual dexterity, specialised knowledge, and traditional hand skills to produce objects or carry out processes. Please look at our Craft Inventory for more information on the heritage crafts we support and if you are not sure if your craft is included, please do get in touch to ask.
Are there any specific types of bursaries available?
Yes, in addition to general bursaries, Heritage Crafts often offers ring-fenced bursaries for specific groups or areas, such as:
- Black and ethnically diverse trainees
- British military veterans
- Trainees who intend to work in specific regions (e.g., Scotland, Wales, Sussex)
- Specific craft categories (e.g., precious metals, fashion and textiles).
Applicants are automatically considered for all categories for which they qualify.
What can the bursary be used for?
Bursaries can cover or contribute towards the costs of:
- Apprenticeship-style training with a craftsperson/people.
- Attending specialist training courses (accredited or non-accredited).
- Undertaking a self-directed program of training with one or more craftspeople.
The actual training must make up at least 70% of your training budget.
The following types of expenditure can make up the remaining 30%:
- The cost of specialist tools or materials, books, or study materials.
- Supporting travel and accommodation.
What can the bursary NOT be used for?
Our training bursaries cannot be used for:
- General living expenses.
- Research.
- Promotional activities.
- Anything else not directly related to the acquisition of hand skills for the craft.
How much funding can I apply for?
You can apply for any amount up to £4,000. Applicants who apply for less than the maximum amount will not receive prefential treatment, and so should apply for what they need (up to £4,000) to maximize the impact on their skill development.
How do I apply?
Applications are typically made by completing an online application form available on the Heritage Crafts website before a deadline.
You also have the option to submit a video application (usually no more than 15 minutes) addressing all the questions in the form.
If neither of these methods works for you, let us know how you might prefer to apply (bearing in mind that you will need to tell us everything we need to know in order to fairly assess your application).
Please check the bursaries page to see whether or when we’ll be open for applications.
What information will I need to provide in my application?
You will be asked to provide details about:
- Your personal information (name, contact details).
- Your current financial situation (including ticking boxes to indicate your rough annual earned income, other income and household income).
- Your proposed training plan, including how the bursary will help you overcome financial and other barriers.
- The heritage craft you wish to pursue or develop.
- Contact details for a referee (e.g., from a craft organisation, a previous trainer/teacher, but not a family member or your intended trainer).
- Photographs of any work you have already produced.
- If you have applied to Heritage Crafts previously.
- Whether you are a Heritage Crafts member (though this is not a requirement).
Do I need to be a member to apply?
No, although we always welcome new members and we have a range of affordable options available – all with some excellent perks that you’ll love, such as being welcoming into an amazing community of makers and some useful members only resources too.
Check out our membership options here: Join Us
What makes a good application?
- Prepare in advance
- Clear focus or project
- Be specific
- Tell a story
- Is now the right time?
- Consider sustainability.
Do I need to have found a trainer before applying?
Ideally you will have a good idea of the training that you need to achieve your outcomes and a well planned application is more likely to be successful.
However, if you are new to a craft and struggling to find a trainer, Heritage Crafts may be able to offer assistance, but please get in touch well before the deadline.
How are applications assessed?
All applications are assessed by a diverse panel comprising Heritage Crafts staff, trustees, experienced makers, and external craft experts. This panel rigorously evaluates each application against set criteria to ensure fairness and transparency in the selection process. Shortlisted candidates are typically invited for an interview via Zoom.
Is the assessment based on my writing skills?
No, the assessment is not about judging your skills at filling in forms or your literary prowess.
Whether you submit a written application or a video, the most important thing is to clearly and comprehensively communicate what you want to do, why you want to do it, and how the bursary will enable your training and development.
Focus on articulating your passion, your plan, and the impact the bursary will have.
What happens after I submit my application?
Applications undergo assessment, shortlisting, and final selection by the Heritage Crafts judging team. Interviews are typically conducted via Zoom for shortlisted candidates.
Successful applicants will often receive support from the Heritage Crafts team to develop an action plan and monitor progress.
Can I amend my application after I have submitted it?
No, you cannot manually amend your application after it has been submitted. If you need to make changes, please get in touch and we will send over a copy of your application for you to amend.
Can I save my application and come back to it?
No, once you have begun then you have to submit it or you will lose your changes.
We recommend that you draft your application in a separate document and then cut and paste it into the form when you are ready to submit.
Can I get a copy of the questions in advance?
When can my proposed training start?
Your proposed training must typically start within the next 12 months of the application period. Training can run over the course of a year to demonstrate learning and impact.
Unfortunately we cannot fund in retrospect for courses that have already started. Unless of course you are applying for a second or third year.
Can I apply for a course/ training I have already completed or started?
Training cannot be completed before our decision making date (which is typically 9-12 weeks after the deadline) as we are unable to fund retrospectively unless of course you are applying for a second or third year.
What if I apply for more than one course/training opportunity?
You are often permitted to apply for more than one course or training opportunity within a single bursary application, provided it aligns with your overall skill development plan.
Who can I contact for assistance with the application process?
If you have any questions or need assistance with the application process, you can email Rae who will be happy to offer guidance: [email protected]
When are the application deadlines?
Application deadlines vary, and new rounds open periodically throughout the year (e.g. Spring, Autumn, Winter). It is crucial to check the Heritage Crafts website for the most up-to-date information on application opening and closing dates. These are accurate once we have opened applications.
How competitive are the bursaries?
Please be aware that these bursaries are highly competitive. We typically receive a very large number of applications for a limited number of awards. While we wish we could support every deserving applicant, this is simply not possible due to funding limitations. We encourage all eligible individuals to apply, but please understand that success is not guaranteed.
If I am not successful this time, can I reapply?
Yes, if your application is unsuccessful, you can reapply in future rounds. We encourage you to review your application, consider any feedback you may have received (if applicable), and refine your proposal for subsequent submissions.
Please bear in mind that each new application is assessed independently by a panel of craft experts, so while addressing any previous feedback is certainly beneficial, it doesn’t guarantee success in subsequent rounds.
Timing is everything.
Can the training be undertaken overseas/ outside of the UK?
We say if the skills you need are available in the UK then we are unlikely to fund overseas travel. However, if you can prove that the training is only available overseas, then we would consider funding it.
Can I apply if I live outside of the UK?
Our funding opportunities are focused on preserving traditional hand skills within the British Isles, and therefore applicants must be based in the UK and intend to continue practicing their craft in the UK.
We are sorry if this means you are not eligible to apply. If in doubt, please email Rae: [email protected]
Can courses be online or do they have to be in-person?
The courses we look to fund through our training bursaries can in person tuition or online courses or a combination of the above, though in-person is preferable as the experience is likely to be richer.
Do Heritage Crafts have a Safeguarding Policy?
Yes we do. In any case of concerns or queries raised about the safeguarding or the Safeguarding Policy for either trainees or trainers, then please contact Mary who is our Safeguarding Lead by email on: [email protected]
Are there other opportunities I should consider?
There are further opportunities for you to explore.
- Also we encourage you to submit your nominations for the prestigious Heritage Crafts Awards. Either nominate another craftsperson that you admire or nominate yourself, once the nominations are live and online. Find out when here.
- We’d recommend that you subscribe to our fan newsletter to keep informed of news, launch dates and important deadlines. You can do this by scrolling to the bottom of this page to sign-up.
- If you haven’t already, then you are invited to join our wonderful collective of makers and supporters in our membership. The Makers Directory is an ever growing community of makers and craft curious folk across the UK with exclusive events and opportunities on offer. Find out more here.
- Make sure to register for our next Live Zoom Q&A Session – dates can be found on our Events page.
Ready to apply? Find out when we are next open for training bursary applications here:
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This week’s #mondaymaker is Deb King @debkingdesign – a handweaver.
Deb is an award-winning handweaver and textile artist who creates timeless designs with care and attention, focusing on the tactility, drape and weight of pieces alongside the appearance of finished cloth. Deb uses natural materials and yarn, often from individual farms and micro mills, supporting British growers and processors.
View Deb’s full profile on our maker’s directory: https://heritagecrafts.org.uk/maker/debking/
#heritagecrafts #mondaymaker #handweaving
Living Heritage in the UK information sessions
Heritage Crafts’ @maryeluned_craft is fresh from speaking at the The UNESCO Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in New Delhi last week, and will be running two online information session this Thursday for anyone thinking of nominating their living heritage practice on the new Living Heritage in the UK inventory, launched by the government a little over a week ago. This is part of Heritage Crafts’ new status as a Community Support Hub for the inventory.
Sign up for free via the Linktr.ee in our bio for online information sessions at 3pm and 6.30pm. We’ll also be running further sessions in the new year.
At our recent Heritage Crafts Awards Winners’ Reception at @wentworth_woodhouse, bursary recipient @kerriehanna gave this wonderful speech about the difference her bursary had made.
“It’s a real honour to receive this Heritage Crafts bursary, and I want to extend my sincere thanks to Heritage Crafts and the National Lottery Heritage Fund.
“Growing up, I was always captivated by stained glass – one panel in particular which stands out in my mind is the ‘Patience’ window in St Anne’s Cathedral by Ann Smyth. Within the window, a woman was shown holding a spherical portal to another realm, and the way light shifted through it in the changing Irish weather, felt like a threshold into a parallel world. This image left a great impression on me.
“I never imagined I’d have the chance to study glass, with no dedicated courses in Ulster. I got in touch with several organisations, and just by chance Glassmarque Design replied. They needed help for a few weeks to finish a project as the main artist had been unwell so time was against them. Those few weeks turned into four years of assisting with new commissions and restoration work.
“In 2023, I took the leap and set up my own studio. Since then, I’ve been delighted to work on commissions for organisations including the National Gallery of Ireland, Belfast City Council and the National Trust.
“The image of that window from my childhood makes its way back to me now. The woman in the glass holding a portal to another realm; today, this bursary pushes me forward to pass through a new threshold, leading me to pathways of knowledge, new skills and possibilities.
“Not only will I deepen my technical skills, but I will be lucky to build creative community as part of the craft lineage in this historic medium. It is an honour to be welcomed into the Heritage Craft fellowship with everyone in this room and wider networks beyond.”
Over 36 posts we are profiling the recipients of our recent round of training bursaries.
Ian Horne @boobrie_creations, from Glasgow, served for eight years in the RAF, including tours in Sierra Leone, Iraq and Afghanistan. His background in plumbing and welding led to an interest in metallurgy and subsequently to coppersmithing. His bursary will fund intensive training with contemporary coppersmith and fellow veteran @royevansmetalikart.
Ian’s bursary is funded by the Royal British Legion.
Ian said: “Securing this heritage craft funding in coppersmithing is deeply meaningful to me as a sculptor and emerging creator. It not only provides the resources to develop my skills in a traditional craft, but also gives me the opportunity to carry forward a practice rooted in history while bringing my own contemporary voice to it. This support affirms my place in the industry and fuels my commitment to preserving and reimagining coppersmithing for future generations.”
This week’s #craftfocus is stone carving.
Stone carving is an ancient practice involving the carving of figures, patterns, ornaments, lettering and more into stone.
First, a suitable stone is selected (such as marble, limestone or granite) and it is gradually shaped, beginning with knocking off large, unwanted sections (known as ‘roughing out’). Next, finer detailing, smoothing and polishing is carried out.
Tools used include mallets and hammers, a variety of chisels (point, claw and flat) for cutting and shaping the stone, and files and abrasives for finishing.
Stone carving is classified as viable on our Craft Inventory, however, threats to its viability include a lack of training options. While there are numerous qualifications in stonemasonry, there are few qualifications specifically for stone carving.
Demand is often reliant on heritage projects and large-scale public or private conservation work; when this is lacking, the market for stone carvers significantly reduces. Competition from modern technology can also limit work.
Images: Lily Marsh @lilymarshsculptor & Rob Lenihan @roblenihan.art
#heritagecrafts #craftfocus #stonecarving
Over 36 posts we are profiling the recipients of our recent round of training bursaries.
Zakara Akhonzada modamender, from London, has made clothes for friends and family for many years and is striving to become a skilled tailor in a number of styles including traditional Afghan attire. Her bursary will fund her place on the pattern cutting, waistcoat making and tailoring courses at @fashionenterltd.
Zakara’s bursary is supported by the Capri Holdings Foundation.
Zakara said: “I am truly grateful for this funding. It gives me the chance to create beautiful designs and become the professional, high-quality fashion designer I’ve always dreamed of being.”
At our recent Heritage Crafts Awards Winners’ Reception at @wentworth_woodhouse, bursary recipient Aminat Seriki @s.i.l.e.nt.t gave this wonderful speech about the difference her bursary had made.
“Whilst at university, I realised that I wanted to be a craftsperson through the emphasis I placed on textile materiality and craftsmanship in my design projects. Although my passion for machine knitting wasn’t directly connected to my Fashion Design with Marketing degree at Central Saint Martins, I discovered that I enjoyed the endless possibilities knitwear offered and the technical problem solving involved. I found real satisfaction in working from scratch with yarn rather than starting with woven fabric.
“One of my biggest obstacles was the financial barrier as the cost of specialist training and equipment made it difficult to progress. I had reached the limits of what I could achieve through self-directed learning from online forums and YouTube. I was no longer progressing due to gaps in my technical knowledge and lack of confidence to develop my ideas into fully realised garments.
“Receiving the bursary has truly changed the course of my knitwear journey. It has provided me with the one-on-one guidance I have long needed. It gave me time to immerse myself fully in experimentation and to learn from my mistakes. It opened doors to new training such as knitwear programming that I wouldn’t have had access to and introduced me to a community of machine knitters who have supported my development. More than anything, it showed me that others believe in my craft and my potential, and that has meant more than I can say.”
Aminat’s bursary was funded by the Capri Holdings Foundation for the Advancement of Diversity in Fashion.
#matchMAKER opportunity!
Upholstery assistant
Deadline: 15 December 2025
Location: South West
Atlas Contract Furniture Ltd designs and manufactures quality, bespoke and long-lasting contract furniture for the hospitality, leisure and Marine industry across the UK, in Europe and beyond. As part of the Upholstery team, you will be joining a dedicated group of skilled individuals who take pride in their work and ensure quality at all points of the process. You will assist in producing consistently superior quality furniture to client expectations and in line with company procedures and practices.
Core responsibilities:
-Accurate fitting of springs, foam, hessian as per handovers ensuring exacting standards, and that Company processes and procedures are always adhered to.
-Organising own work in line with production schedules, ensuring seating is always produced on time, whilst maintaining high quality standards.
Visit #matchMAKER via the linktr.ee in our bio to find out more.