Craft status
The Heritage Crafts Red List
Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.
Extinct in the UK
Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.
Critically Endangered
Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.
Endangered
Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.
Currently Viable Crafts
Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.
Heritage Crafts Inventory
The 2025 edition of the Red List of Endangered Crafts marks a significant evolution in how we understand and safeguard traditional crafts.
This year, we introduce the Heritage Craft Inventory – a new, inclusive framework that ensures all heritage crafts, regardless of their current status, have a place where they are recognised and valued under one umbrella. This expanded approach allows us to shine a light not only on endangered and critically endangered crafts, but also on those that are resurgent, culturally distinctive, or rooted in specific communities and regions. It reflects the dynamic landscape of craft today – one that is constantly evolving and shaped by both challenges and opportunities.
Culturally distinctive crafts
Crafts designated as ‘culturally distinctive’ might have a broad uptake across the UK, but hold a particular significance for a defined community of practice, whether that is geographic, cultural, ethnic or religious. Those that are also on the Red List are known as ‘crafts in need of cultural safeguarding’.
- Canal art and boat painting (craft for cultural safeguarding)
- Cornish hedging (craft for cultural safeguarding)
- Fair Isle Knitting
- Fair Isle straw back chair making (craft for cultural safeguarding)
- Fairground art (craft for cultural safeguarding)
- Gansey knitting
- Harris tweed weaving
- Islamic calligraphy
- Northern Isles basket making (craft for cultural safeguarding)
- Orkney chair making (craft for cultural safeguarding)
- Petrakivka (craft for cultural safeguarding)
- Pysanky (craft for cultural safeguarding)
- Sgian dubh and dirk making (craft for cultural safeguarding)
- Shetland lace knitting
- Shinty caman making
- Sofrut calligraphy
- Sporran making (craft for cultural safeguarding)
- Thatching (Irish vernacular) (craft for cultural safeguarding)
- Thatching (Scottish vernacular) (craft for cultural safeguarding)
- Thatching (Welsh vernacular) (craft for cultural safeguarding)
- Vardo and living wagon crafts (craft for cultural safeguarding)
- Welsh double cloth weaving (craft for cultural safeguarding)
Resurgent crafts
Crafts designated as ‘resurgent’ are currently experiencing a positive trajectory as a result of an upswing in new entrants. Just because a craft is considered resurgent does not mean that it cannot also be endangered, but rather that its decline has started to reverse and that its situation is likely to continue improving.
Latest Red List stories
Craft skills remain under threat with 20 new additions to the Red List of Endangered Crafts
Nine more grants to help save endangered crafts
Craft skills under threat with 17 additions to the Red List of Endangered Crafts
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Catch #Wicker in cinemas 30 October.
Starring Olivia Colman, Alexander Skarsgård, Elizabeth Debicki and Peter Dinklage.
On the outskirts of a village by the sea, lives a Fisherwoman; smelly, single and perpetually ridiculed. One day, fed up with her stuffy, small-minded neighbours, she commissions herself a husband to be made from wicker. In an otherwise conservative town, this unconventional romance sparks outrage, jealousy and chaos.
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Evie Spurdle @the_strap_and_hammer_armoury, from Birmingham, has a background in competitive armoured combat and previously worked as an apprentice armourer crafting ceremonial cuirasses for the Household Cavalry. Her bursary will fund one-to-one masterclasses with Fred Ryall of @ryall_armouries to build a late-period armet helmet, and with Graham Ashford of @greenleaf_workshop to learn gauntlet articulation and steel heat treating.
Evie’s bursary is supported by @soanebritain.
Evie said: “Being chosen to receive this bursary means an unbelievable amount. It has made it possible for me to follow my dream of running my own armoury full time, which I plan to use to help keep this amazing craft alive. I cannot thank the people at Heritage Crafts enough for all their help at every stage of my journey.”
Lulu Lytle OBE, Founder and Director of Soane Britain, said: “When I first saw Evie’s work, I was blown away by the craftsmanship and also the beauty of the armour she creates. I was then immediately surprised to read that she had only been practicing armoury for five years! She is a talented metal worker whose skills fill a specialist gap within the UK. Her ability to use hand techniques to manipulate metal into precise forms is a desirable skill that could be applied with great effect to a diverse range of craft fields.
“I am thrilled to be able to support Evie on her journey towards establishing her own workshop and becoming the UK’s only practicing female armourer. I feel reassured in the knowledge that with passionate practitioners like Evie these specialist craft disciplines will not only survive but thrive in the UK.”
Post 2/2. Following a record year of stellar nominations, the finalists for this year’s Heritage Crafts Awards have been announced. Thanks to our supporters and judges, and congratulations to all of the finalists. The winners will be revealed At Goldsmiths’ Hall on Monday 23 November 2026, supported by the Maxwell/Hanrahan Foundation and the @thegoldsmithscompany.
The finalists are (in alphabetical order):
Precious Metalworker of the Year (supported by @royalmintuk)
• @clive_burr_silversmith
• Anna Rennie @artisansilversmith
• Benjamin James Ryan @bjrdesigns
Fashion and Textile Maker of the Year (supported by the @costume_society) – pictured
• Alis Le May @alis_le_may
• Christopher McEvoy and Chantal Allen @_vevar – weavers
• @harvysantoshats
Woodworker of the Year (supported by the Maxwell/Hanrahan Foundation)
• @phillgregson
• Ewan Sinclair @sinclairleith
• Lyndie Wright marionette maker
Emerging Leatherworker of the Year (supported by @theleathersellers)
• Matthew Bailey @baytinetannery
• Liza Keane @lizakeane_
• Beatrice Shepherd @missy_b25
Emerging Upholsterer of the Year (supported by @house_of_sonnaz)
• Amy Drummond
• Suzanna Page @sp_fineupholstery
• Nicolle Wilson @n.wilsonupholstery
Emerging Green Woodworker of the Year (supported by @woodsmith_uk)
• Simon Cooper @the_bumbling_basketeer
• Jordan Harris dartmoorgreenwoodhandles
• Elbie Owens @owens___outdoors
Emerging Building Craftsperson of the Year (supported by @spab1877)
• Mariam Ashraf @moma_white_place
• Freya Dargavel @boomerangwoodworking
• @tobias_wright_
Emerging Stained Glass Craftsperson of the Year (supported by @bsmgp)
• @kerrycollisonart
• @kerriehanna
• @the.glass.nest
Emerging Weaver of the Year (supported by @roseuniacke)
• Hannah Brown @hheeddvvbb
• Ruth Farris and Bea Uprichard @fishbone.sycamore
• Sven Steinmetz @formweben
Emerging Embroiderer of the Year (supported by the Broderers’ Company)
• Lucy May @embroiderthetruth
• @katarina_orolinova_art
• @tiharasmith
Emerging Metalworker of the Year (supported by Lucy and Laurence Butcher)
• Yuyi Cheng @yuyi0932
• Marc England @lynxtogether
• Henry Le Page @henry_le_page
Post 1/2. Following a record year of stellar nominations, the finalists for this year’s Heritage Crafts Awards have been announced. Thanks to our supporters and judges, and congratulations to all of the finalists. The winners will be revealed at Goldsmiths’ Hall on Monday 23 November 2026, supported by the Maxwell/Hanrahan Foundation and the @thegoldsmithscompany.
The finalists are (in alphabetical order):
Patron’s Award for Endangered Crafts (supported by the @kingcharlesfund) – pictured
• @eveeunson
• Mark Norris Scottish harp maker
• @deborahwhite7481
England Maker of the Year (supported by the Maxwell/Hanrahan Foundation)
• @allistermalcolmglassltd
• Mark Marchant @ceramicmouldsuk
• Lyndie Wright marionette maker
Northern Ireland Maker of the Year (supported by @mournetextiles)
• @thomaskeyesartist
• Jane McCann @ona_byjanemccann
• Andrea Spencer @aspencerglass
Scotland Maker of the Year (supported by the William Grant Foundation)
• Alis Le May @alis_le_may
• Christopher McEvoy and Chantal Allen @_vevar
• Craig Peebles @welbyandwright
Wales Maker of the Year (supported by @hiutdenim)
• @anncatrinevans
• Lewis Prosser @clovisvosser
• @veritypulfordartist
Lifetime Achievement Award (supported by @marshawards)
• @clive_burr_silversmith
• Keith Edwards pigment maker
• @andrew_loudon
• Lyndie Wright marionette maker
Trainer of the Year (supported by @marshawards)
• Keith Edwards pigment maker
• Mark Matthews @mmsailsolutions
• John Roberts marionette maker
Trainee of the Year (supported by @marshawards)
• @ayham_aldoghim
• Toby Britton-Watts @tbw.glass
• Stephen Green millwright
Community Catalyst of the Year (supported by @marshawards)
• Valeria Leonova @artvaleria
• Paul Naylor @cambrianharps
• Piarve Wetshi @_colechi
We will post about each of the shortlists over the next few weeks.
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Joanne Kelly @jokellyart, from Merseyside, holds a Master’s degree in Art and Politics and is a self-taught banner maker with work held in the Working Class Movement Library collection. Her bursary will fund a twelve-week, one-to-one apprenticeship with renowned contemporary trade union banner maker Ed Hall.
Joanne’s bursary is funded by the Maxwell/Hanrahan Foundation.
Joanne said: “I am absolutely beaming with pride to begin my apprenticeship with Ed Hall, renowned contemporary banner maker. I have been totally in awe of Ed’s extensive legacy in this craft and his solidarity with union workers. Since Ed has already been so generous with his time towards me, I am thrilled to have secured this funding to finance his tutelage so that I can continue learning from him as I pursue my own career in banner making.”
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Jake Mann @mj.leatherwork, from Gloucestershire, holds City&Guilds qualifications in bridle, saddle and harness making from Capel Manor College. His bursary will fund advanced saddlery, harness and bridle training modules across the @walsallleatherskillscentre and the Saddlery Training Centre in Salisbury.
Jake’s bursary is supported by the Dulverton Trust.
Jake said: “Securing this funding means a great deal as I am just building my business. This will help fund me to further my training and myself in leatherwork and saddlery.”
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Shirley Nelson @shirleynelsonjewellery, from London, holds an Intermediate Jewellery Certificate from Morley College and runs her own jewellery business. Her bursary will fund eight days of one-to-one home tuition with award-winning enameller @connelly.linda, developing advanced wet pack, engraving and cloisonné techniques.
Shirley’s bursary is supported by the Capri Holdings Corporate Foundation.
Shirley said: “I’m thrilled to be offered a Heritage Craft bursary! It will allow me to learn the fundamentals of enamelling and elevate my craft skills under the tutelage of Linda Connelly, a true expert.”
📷 @julietsheath
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Isobel Blackburn @isobel_blackburn_costume, from Penarth, recently completed a Masters in costume design and construction, developing a strong passion for hand sewing and historical costume making. Her bursary will fund bespoke one-to-one training with professional costume maker Veronica Petersson to master traditional tailoring techniques and full suit construction.
Isobel’s bursary is supported by the Ashley Family Foundation.
Isobel said: “I’m so excited to have the opportunity of pursuing further training in tailoring thanks to the Heritage Crafts bursary. I came to costume making as a career change to pursue something I’m passionate about, and through doing so have discovered a love for tailoring and historical making. Having this opportunity of one-to-one training is going to help me to grow and refine my skillset, something I just wouldn’t be able to do to the same quality without the help of Heritage Crafts and the Ashley Family Foundation.”
