The Red List
of Endangered Crafts
From blacksmithing to basketry, from weaving to woodturning, we have an incredible range of heritage craft skills in the UK and some of the best craftspeople in the world. But many of these skills are in the hands of individuals who have been unable to make provision to pass them on.
The Heritage Crafts Red List of Endangered Crafts, first published in 2017, was the first report of its kind to rank traditional crafts by the likelihood they would survive to the next generation, based on intangible cultural heritage safeguarding principles, led by Heritage Crafts, the only UK UNESCO-accredited NGO working primarily in the domain of traditional craftsmanship.
Donate to save an endangered craft (£5 for the 5th edition)
The list attracted extensive media coverage both in the UK and abroad, shining a light on heritage craft practices under threat from a number of identifiable issues. It is our hope that this research will act as a call to action to those who have it within their power to resolve or alleviate these issues, and that this project will mark the start of long-term monitoring of heritage craft viability and a shared will to avoid the cultural loss that is borne each time a craft dies.
Heritage Crafts is committed to updating the list on a regular basis, and so, with support from the Pilgrim Trust, over 900 organisations and individuals were contacted directly by email and telephone and invited to contribute to the research between September 2024 and May 2025. Participants were asked to provide background information about each craft, such as its history, techniques and local forms, as well as current information relating to the number of skilled craftspeople and trainees, and the ongoing issues affecting the viability of the craft, including the effects of the current energy crisis.
Each craft was then classified into one of four categories of endangerment using a combination of both objective criteria (such as numbers of crafts people and trainees) and subjective criteria (issues affecting the future viability of the craft including training opportunities and market trends). Issues affecting the viability of heritage crafts vary on a craft-by-craft basis, though many can be grouped, and possible solutions devised that will help many crafts practices become more viable.
For the purposes of this research, a heritage craft is defined as ‘a practice which employs manual dexterity and skill and an understanding of traditional materials, design and techniques, and which has been practised for two or more successive generations’. The research focuses on craft practices which are taking place in the UK at the present time, including those crafts which have originated elsewhere, and on those aspects of each craft with a high reliance on hand-work and which involve high levels of hand skill.
If you have any queries about the research, are aware of a heritage craft that is not listed, or have further information to add about any craft, please contact [email protected].
Latest Red List stories
Craft skills remain under threat with 20 new additions to the Red List of Endangered Crafts
Nine more grants to help save endangered crafts
Craft skills under threat with 17 additions to the Red List of Endangered Crafts
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Encaustic tile maker and Heritage Crafts Endangered Crafts Fund recipient Craig Peebles @welbyandwright featured on Radio 2’s Pitch Your Passion segment with Romesh Ranganathan.
He did an amazing job pitching his love for encaustic tile making… but could he beat the mighty Lego?
To support our work in safeguarding endangered skills join up as a member and make a donation at heritagecrafts.org.uk.
Who do you think should win?
Heritage Crafts at Craft Festival Wales @craftfestival
When: 11 to 13 September 2026
Where: Cardigan Castle
We’re thrilled to be back at Craft Festival Wales this September, bringing with us makers dedicating their lives to keeping rare and remarkable skills alive.
This year, you can meet drystone waller Barney Murray @barneywalling, polisher and enameller Freya Bletsoe @isabellaossett, quiltmaker Samantha Jones @samanthajonesquilts, and milliner Emily Gash @wade.evans.designs.
Mary Lewis @maryeluned_craft, Head of Craft Sustainability at Heritage Crafts, will also be hosting a panel discussion featuring Barney Murray and Katy Bevan from Quickthorn Books @quickthornbooks at 3.30pm on Sunday 13 September – Living Lineage: What Does Heritage Craft Mean Today?
https://heritagecrafts.org.uk/events/craft-festival-wales-2026/ or via the linktr.ee in our bio.
Five-day Passementerie Masterclass with Jessica Light @jessica_light_, the ‘Tassel Queen of Bethnal Green’ – supported by @goldsmithsfoundation. 🧵
📍 Where: Weavers Works @weavers.works, Walthamstow, London E17 7BH
⏰ When: 25 to 30 October 2026, 10am to 4pm each day with a lunch break (lunch provided)
💰 Cost: £300 (three free bursary places available for those from under-represented communities or facing financial hardship – subject to availability)
✍️ Application deadline: Monday 31 August 2026
Join the ‘Tassel Queen of Bethnal Green’ for a five-day intensive course on passementerie aimed at intermediate textile practitioners. With over three decades of experience in the trade, a well-established authority on the historic techniques and one of only a few contemporary practitioners, Jessica Light is a leading figure in the endangered craft of passementerie.
This is a unique opportunity to spend a considerable amount of time with Jessica, gaining hands-on experience, close tuition on a range of weaving and table work techniques, guidance on materials and colour, and a look at passementerie notation.
At the end of the course, trainees will be able to create highly ornamental or pared-back embellishments for furniture, lighting, clothes, and costumes through a rich interplay of materials, techniques, patterns, colours, and textures.
This course is not intended as an ‘experience’; it is for working practitioners who intend to incorporate these skills into their textile practice. Both masterclasses cover the same areas and each have five places available, providing a focused and supportive learning environment.
To ensure equitable access to this vital training opportunity, we are providing three free bursary places for individuals from under-represented communities or facing financial hardship – subject to availability.
Please note, places will be allocated based on suitability. Please fill in the application form and Heritage Crafts will contact you with news of whether you have been accepted onto the course.
📲 For more details and to apply, please visit the linktr.ee in our bio or https://heritagecrafts.org.uk/our-stories/passementeriemasterclass/.
#matchMAKER opportunity!
Trainee Jeweller
Where: Cambridgeshire
Chloe’s Jewellers & Repairs has been family-owned business for over 100 years, serving the high streets of Cambridgeshire, Hertfordshire, Leicestershire, Essex and Norfolk with high quality jewellery sales and repairs.
This paid internship is designed to nurture your talent while offering invaluable industry insights. Grow your skills alongside expert artisans in a vibrant environment that celebrates creativity, precision, and innovation.
You will gain hands-on experience in various aspects of jewellery making, from initial design concepts to finishing touches, while contributing to the creation of beautiful, high-quality pieces.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
We are delighted to announce our expert judging panel for this year’s Emerging Metalworker of the Year Award supported by Lucy and Laurence Butcher. This award celebrates the talent, grit, and artistry of those in the first five years of their professional metalworking journey. ⚒️
• Russell Lownsbrough @russell_lownsbrough – award-winning master craftsman, wax carver and goldsmith with over thirty years of professional experience in the trade, Russell is renowned for his bespoke jewellery, silverware and medals using traditional lost-wax casting methods alongside direct metalworking. A Fellow of the Institute of Professional Goldsmiths and a judge for the Goldsmiths Craft and Design Awards, he is passionate about passing on specialised bench skills through masterclasses and industry mentoring.
• Lisa Wisdom @lisawisdomartist – acclaimed traditional blacksmith and jeweller who transforms salvaged, rusted metals into evocative landscape collages, Lisa utilises the natural weathering, minerals and textures of reclaimed copper, zinc, lead and iron. An Associate of the Worshipful Company of Blacksmiths and member of the Cornwall Crafts Association, she champions sustainable, regenerative material use and creative improvisation.
This award is open to any craft where metal is the primary material, including blacksmithing, coppersmithing, tinsmithing, silversmithing, goldsmithing, swordsmithing, knife making, cutlery making, bronze casting, brass instrument making … and more!
There is a £1,000 prize for the winner to be presented at a high-profile Winners’ Reception in November.
📅 Deadline: Friday 21 August 2026 (at 5pm)
➡️ Nominate someone (or yourself) today via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/our-awards/emerging-metalworker-of-the-year/
📷 2024 finalist Caitlin Murphy
Become a Heritage Crafts member in time for our next online member Book Club meeting on Wednesday 9 September 2026, at 6.30pm.
Following the success of our second members’ Book Club that discussed Tracey Chevalier’s The Glassmaker, the next book club meeting will discuss Art Cure by @daisy.fancourt, the award-winning scientist and world-leading expert on psychobiology.
Once you’re a member you can get the link for the meeting and find some reading prompts in the Heritage Crafts member portal.
heritagecrafts.org.uk/join-us
We are delighted to announce our expert judging panel for this year’s Emerging Leatherworker of the Year Award supported by the @theleathersellers. This award celebrates those in the first five years of their professional practice who are already making their mark. 💼👞
• Bill Amberg @billambergstudio – internationally renowned master leather craftsman, designer and industry pioneer with four decades of expertise, Bill has revolutionised the architectural use of leather, pioneering structural, interior and furniture applications alongside bespoke luxury leather goods. He is a passionate advocate for sustainable material sourcing, traditional hide processing and training the next generation of artisans.
• Maisie Hill @ravenhill.leather – leatherworker, marquetry artist and 2025 Emerging Leatherworker of the Year Award winner, Maisie specialising in fine leather restoration, bespoke box-making and intricate leather marquetry at luxury furniture studio Silverlining. Her practice blends meticulous hand-tool mastery with innovative surface manipulation and contemporary aesthetics.
• Yusuf Osman @yussico – formerly a practising solicitor, Yusuf transitioned into craft to pursue traditional leatherworking, specialising in hand-stitched leather goods made using centuries-old saddle-stitching techniques and natural vegetable-tanned hides. Selected for the prestigious Homo Faber Guide, he is a dedicated tutor who actively demystifies the craft through workshops and outreach.
This award is open to any craft where leather is the primary material, including fashion and accessories, saddlery, bridlery and harness making, shoemaking, tanning and more!
There is a £1,000 prize for the winner to be presented at a high-profile Winners’ Reception in November.
📅 Deadline: Friday 21 August 2026 (at 5pm)
➡️ Nominate someone (or yourself) today via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/our-awards/emerging-leatherworker-of-the-year/
📷 2025 finalist Ana Del Rio Mullarkey @_anadelrio
Exclusive Makers’ Content Lab 📱✂️
Our Makers’ Content Lab is exclusive for Heritage Crafts members and recipients, led by content creator @daisybow_craft.
Social media and content creation have become essential skills for promoting your work, sharing your practice, and building community around your craft/trade. Yet there are few opportunities for makers to learn how to participate meaningfully in this digital space.
The Makers’ Content Lab is a new programme of online sessions designed to help you build confidence, develop practical skills, and explore what social media can look like for you and your craft.
The last session saw Daisy guide us through the process of creating an ‘about me’ post for Instagram.
The next session will take place online on Wednesday 26 August. If you are interested in taking part, and you are not already a member or recipient, please consider signing up as a member!
heritagecrafts.org.uk/join-us
