Heritage Crafts Awards
recognition for master craftspeople and emerging talent
We are open for nominations
Established in 2012, the annual Heritage Crafts Awards are a range of awards each year which shine a spotlight on those individuals who champion heritage crafts skills and trades. We are indebted to our partner organisations who provide funding for our unique suite of awards and bursaries specifically for traditional crafts, and who make this possible.
The Heritage Crafts Awards celebrate and highlight the traditional living crafts made in the UK that contribute to our national heritage, such as silversmithing, dressmaking and tailoring, upholstery, weaving, leatherworking, metalworking, stained glass, green woodworking, embroidery and similar crafts where there is a significant degree of hand skill at the point of manufacture.
- Patron’s Award for Endangered Crafts
- England Maker of the Year
- Northern Ireland Maker of the Year
- Scotland Maker of the Year
- Wales Maker of the Year
- Precious Metalworker of the Year
- Fashion Textile Maker of the Year
- Woodworker of the Year
- Emerging Building Craftsperson of the Year
- Emerging Leatherworker of the Year
- Emerging Upholsterer of the Year
- Emerging Weaver of the Year
- Emerging Green Woodworker of the Year
- Emerging Stained Glass Maker of the Year
- Emerging Embroiderer of the Year
- Emerging Metalworker of the Year
- Trainer of the Year
- Trainee of the Year
- Community Catalyst of the Year
- Lifetime Achievement Award
Before nominating yourself or someone else, we encourage you to take time to read through these important links:
- FREQUENTLY ASKED QUESTIONS – please read for useful tips
- NOMINATION QUESTIONS – for your reference
- Watch our Live Q&A Session on grants, awards and bursaries recorded on 7 April
Please note that all Awards nominations now use the same nomination form, so you can nominate yourself or someone else for multiple awards all at once from just one form.
To nominate, please click on one of the relevant Awards above
DEADLINE: 5pm, Friday 21 August
Video or audio nominations:
Alternatively, you are welcome to submit a video or audio nomination, addressing all the questions in the form – You can download the questions here. The recording ideally needs to be no more than 15 minutes in length, then emailed to Rae at [email protected].
Nominate yourself or someone else
Patron’s Award for Endangered Crafts
England Maker of the Year Award
Northern Ireland Maker of the Year Award
Scotland Maker of the Year Award
Wales Maker of the Year Award
Precious Metalworker of the Year Award
Fashion Textile Maker of the Year Award
Woodworker of the Year Award
Emerging Leatherworker of the Year Award
Emerging Upholsterer of the Year Award
Emerging Weaver of the Year Award
Emerging Green Woodworker of the Year Award
Emerging Stained Glass Maker of the Year Award
Emerging Embroiderer of the Year Award
Emerging Metalworker of the Year Award
Trainer of the Year Award
Lifetime Achievement Award
Community Catalyst of the Year Award
Trainee of the Year Award
Emerging Building Craftsperson of the Year Award
Message from HM The King
“As Patron of the Heritage Crafts Association, I am delighted to endorse this new awards scheme which supports and rewards excellence in the heritage craft sector.
Crafts are such a vital part of our British heritage and I have always been passionately concerned to promote the best aspects of our country’s traditions ― and, equally importantly, to enable these highly specialised skills to be transferred from one generation to the next.
These new awards for heritage craft celebrate excellence across the sector in a variety of ways. They reward those who give so much by volunteering to support the many different crafts, those who pass on their skills, those who wish to improve their craft skills and those who continue to produce great British craft.”
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Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Emily Scholefield @esch.textiles, from Hampshire, is an artist and embroiderer with a background in ballet who recently completed a contemporary hand embroidery diploma with @handandlocklondon. Her bursary will fund one-to-one online mentoring with Stephanie Woodage of @enpointetutus covering tutu construction, a UAL short course in costume design, and essential equipment.
Emily’s bursary is supported by @costume_society.
Emily said: “I’m so grateful to be given this opportunity to learn tutu-making and develop my skills in costume design. I can’t wait to start the training and I’m really looking forward to creating my costume portfolio and starting my career making dance costumes.”
#matchMAKER opportunity!
Apprentice Leather Worker
Deadline: 10 July 2026
Location: Leeds
Charles F Stead & Co Ltd is world-renowned for producing some of the finest suede leathers in the world. Its suedes are recognised internationally for their quality, innovation and craftsmanship and are supplied to many of the most prestigious footwear and fashion brands globally.
Over the course of the 15-month Leather Craftsperson (level 2) apprenticeship, delivered in partnership with Huddersfield Textile Training Ltd, you will receive hands-on training and support from experienced leather workers, developing the knowledge and skills required to build a long-term career within the leather manufacturing industry.
After this apprenticeship you will have the chance to contribute to the production of world-class suede used by leading fashion brands, with opportunities for long-term career development within the business.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
Join us in conversation with tapestry weaver @chrissiefreeth, online on Tuesday 18 August 2026, 7pm (GMT+1)
For millennia, the loom has been central to the lives of women and the art of storytelling. Join us for a fascinating evening with tapestry weaver and archaeologist Dr Chrissie Freeth as we explore how she continues this ancient tradition, transforming small personal moments, fragile memories and unconfronted experiences into large-scale handwoven tapestries.
Chrissie brings a uniquely rigorous perspective to her craft. With a PhD in archaeology and a career that began in the museum sector, her contemporary practice is deeply rooted in historical material culture. In 2016, she was awarded a Winston Churchill Memorial Trust Travelling Fellowship, allowing her to study medieval tapestry techniques first-hand across major collections in Europe and New York.
Chrissie’s work has captured the attention of the international craft and art worlds. Her tapestry Saint Catherine was selected for the prestigious ARTAPESTRY6, Song of the Woods was shortlisted for the Cordis Prize and her striking piece Memento Mori was showcased at the Royal Academy’s Summer Exhibition.
This conversation comes at a pivotal moment in her career. Alongside a recent grant from the National Lottery/Arts Council England to push the boundaries of large-scale weaving, her exhibition Good Women is currently on display at @kelmscottmanor – the iconic summer home of William Morris – in their first major exhibition of contemporary craft alongside the Morris family’s own collection, marking a spectacular dialogue between historic textile heritage and contemporary practice.
The session will take place on Zoom and attendees must register in advance via https://chrissiefreethinconversation.eventbrite.co.uk or the linktree in our bio. Attendees will also have the opportunity to submit questions in advance.
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Nic Harding @ravensrockstudio1, from Wirral, served as a Ranger and Forest School practitioner for 22 years before finding leather carving. His bursary will fund ten days of one-to-one training with @armitageleather and a two-day intermediate bag-making course with Jo Heard at the @walsallleatherskillscentre to refine his construction techniques.
Nic’s bursary is supported by @theleathersellers.
Nic said: “This funding is life changing for me, and a catalyst to further my craft and put myself forward. It has arrived at just the right moment. It will catapult my understanding of leatherworking to where it needs to be to feel confident with my craft and stand tall as I offer my work and skills at large.
“It is also part of a larger scheme, one of self care as I continue to recover from the after-effects of complex PTSD, which I have struggled with for ten (very long) years. Getting the bursary and meeting some of the Heritage Crafts team has already boosted my confidence and I am really looking forward to meeting other craftspeople in the 2026 cohort and getting advice on those all important first steps to success!”
Some of our best bits from @craftfestival Bovey Tracey 2026! Thank you for having us and thank you to all of our demonstrators and speakers!
@devongrowsflax @zoegilbertson @sophie_scanlon @dartmoorshoemakers @theletterpresscollective @mottes_pots @stephs.midnight.flit @sthcoaststudio @theenglandarchive @wheelwrightgreg @wheelwright.sam @bramblecarpentry @lacebynicholas @johnwilliamson.dartmoor @jamesfox283 @katestrasdin @thistlemetimbers @sarahvigarsart @papilionaceouspuresilk
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Kylie McConnell @barnbarroch_organic, from Dumfries and Galloway, is an organic beef farmer seeking to create a circular ‘farm to fashion’ economy by using hides from her own cattle. Her bursary will fund a blend of leather skills courses and training, including time spent at @walsallleatherskillscentre and @armitageleather.
Kylie’s bursary is supported by @theleathersellers.
Kylie said: “I’m an organic beef farmer in south-west Scotland. My goal has been to utilise as much of our beautiful animals as possible to produce traceable leather products – from our farm to fashion. I want people to feel more connected to their leather goods. Thank you to Heritage Crafts and the Leathersellers’ Company for this training bursary. This will enable us to learn from the best and to create beautiful leather products from our own hides.”
Join us in conversation with bee skep maker @chrischarlespark, online on Wednesday 8 July 2026, 7pm (GMT+1)
Join us for a captivating evening with Chris Park, leading authority on bee skeps and traditional apiculture. A master craftsman, skep beekeeper and apitherapist (using bee products for health), Chris lives and breathes the ancient relationship between humans and honeybees.
For years, Chris has kept these vital skills alive, teaching skep-making for the British Beekeeping Association, the National Honey Show and heritage groups across the country. His work sits at the very heart of cultural preservation; with no full-time commercial skep makers left in the UK, the craft is listed on the Heritage Crafts Red List. Beyond the hive, Chris is a true polymath with a deep-rooted passion for ancient technologies, eco-building, folk music and traditional arts and crafts.
The evening also celebrates the launch of Chris’s highly anticipated new book, Bee-Skep Making: heritage, folklore and how to make and use your own skeps (published by @herbert.press). He will share insights from the book, diving into the step-by-step practicalities of working with straw and the folklore, superstitions and history that have surrounded the craft for centuries.
The session will take place on Zoom and attendees must register in advance via https://chrisparkinconversation.eventbrite.co.uk or the linktree in our bio. Attendees will also have the opportunity to submit questions in advance.
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Steve Farrell, from Carmarthenshire, served for 22 years in the Royal Electrical and Mechanical Engineers (REME) and has a background in bespoke furniture upholstery. His bursary will fund a part-time foundation course at the @walsallleatherskillscentre alongside essential tools, leather and travel costs, allowing him to master traditional leatherworking and sewing machine techniques.
Steve’s bursary is funded by the Royal British Legion.
Steve said: “Having this funding at 56 is a great opportunity. It will significantly fasttrack my leatherwork skills and give me the ability to start making higher quality leather products and incorporate a wider skillset of techniques taught at the Leather Skills Centre in Walsall.”