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#matchMAKER opportunity!
Leather Craft and Creative Workshop Apprentice
Where: London
Deadline: 28 August 2026
@amameliematignon is a small, creative leather and cork accessories business based in London. This is an exciting opportunity to learn traditional leathercraft while gaining valuable experience in running a creative business.
As an apprentice, you will support the production of handmade leather and cork products, prepare materials for workshops, assist in delivering creative workshops for schools, charities, council, community groups and corporate clients, and help with the day to day running of the studio. You will also gain experience in product development, customer service, event preparation and social media.
No previous leather working experience is required, although an interest in craft, design or making is desirable. They are looking for someone who is creative, reliable, enthusiastic, organised and confident communicating with people of all ages. A positive attitude and willingness to learn are more important than experience.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
We are delighted to announce our expert judging panel for our Northern Ireland Maker of the Year Award, supported by @mournetextiles.
• Katherine McDonald – having served as the Director of @craft.ni since April 2019, Katherine brings a wealth of leadership experience from across the voluntary and social enterprise sectors. At the helm of Craft NI, she acts as a powerful strategic champion for the contemporary craft sector, ensuring that Northern Irish makers receive the institutional advocacy, visibility and structural support they need to thrive.
• Mario Sierra – Representing the third generation of an iconic textile lineage, Mario leads Mourne Textiles from their historic workshop in County Down. He grew up immersed in the craft, learning from his master-weaver mother and carrying forward the pioneering mid-century legacy of his grandmother. Today, Mario seamlessly bridges traditional heritage and modern design, revitalising archival patterns on vintage power looms.
• Deborah White @deborahwhite7481 – an award-winning master hand-loom linen damask weaver, researcher and academic with nearly three decades of design expertise, Deborah won the Northern Ireland Maker of the Year Award in 2025. Through an Endangered Crafts Fund grant, she painstakingly restored the historic ‘Royal Loom’ – bringing broad-loom damask weaving back to Ulster for the first time in sixty years.
We want to recognise a heritage craftsperson in Northern Ireland who has made an outstanding contribution in the past 12 months. Whether you’ve pushed your craft to new heights or worked tirelessly to promote its survival, we want to champion the simple, humble and essential skills that define our communities.
There is a £1,000 prize for the winner to be presented at a high-profile Winners’ Reception in November. Plus, one winner from the four UK nations will have their prize topped up to £2,000, supported by the Marsh Charitable Trust.
📅 Deadline: Friday 21 August 2026 (at 5pm)
➡️ Nominate someone (or yourself) today via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/our-awards/northern-ireland-maker-of-the-year-award/
📷 2025 winner Deborah White
Over seven posts we are profiling the recipients of our recent Endangered Crafts Fund round.
For nearly twenty years, Philippe L’olive has worked at the highest level of brass instrument manufacture and repair. However, small-scale makers in the UK face a massive challenge – a severe lack of domestic brass and nickel-silver tubing – forcing them to rely on expensive overseas imports with high minimum order quantities and costly shipping fees.
This grant will fund the purchase and custom modification of a draw-bench and its associated tooling. With this machinery in his Kent workshop, Philippe can draw off-the-shelf tubes down to the exact, bespoke dimensions needed for brass instruments. The project will free up critical working capital, drive UK-based innovation and allow Philippe to offer small-batch, custom-sized tubing to other independent instrument makers across the country.
This round’s grants are funded by the Julia Rausing Trust and a private donor.
Philippe said: “I’m looking forward to further progressing the availability of my craft, not just for the players but also the craftspeople.”
#matchMAKER opportunity!
Junior Craftsperson (spectacle making)
Deadline: 31 August 2026
Location: London
@ebmeyrowitz is seeking a Junior Craftsman to join its workshop team in Hampton.
Established in 1875, E B Meyrowitz creates bespoke spectacles and sunglasses by hand for clients around the world. Each frame is individually designed, crafted and finished in its workshop using exceptional materials.
This is an opportunity to learn a highly specialised craft within a small, exacting and creative team. Previous experience in spectacle making is not essential; they are looking primarily for excellent hands-on ability, patience and a genuine desire to become an accomplished craftsperson.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
We are delighted to announce our expert judging panel for our Wales Maker of the Year Award, supported by @hiutdenim. 🏴
• Rauni Higson MBE @raunihigson – Based in a converted chapel in Snowdonia, Rauni is one of Britain’s foremost contemporary silversmiths. Her highly sculptural work, hammered by hand from sheet metal, is directly informed by the rugged North Wales coastline and mountain crags. A passionate advocate for heritage skills transmission, Rauni was awarded the MBE in the 2024 New Year Honours.
• Billie Ireland @billieirelandart – Based in Powys, Billie is an acclaimed artist, craftsperson and educator who explores the intersection of environmental science, sacred ecology and heritage craft. The 2025 winner of the Wales Maker of the Year Award, Billie was also the first artist-maker to create sculptures using a specialised Dartmoor Dragon Retort.
• Sarah James MBE @craftfestival – Cardigan-born Sarah James MBE has dedicated over two decades to championing independent makers and celebrating the joy of making. Since founding the highly acclaimed Craft Festival in 2004, she has built it into one of the UK’s premier craft events, expanding to include a dedicated festival at Cardigan Castle to showcase exceptional Welsh craftsmanship.
• Johann von Loeper @hiutdenim – As Chief Executive of the Cardigan-based Hiut Denim Co, Johann is dedicated to safeguarding and celebrating traditional manufacturing skills in a town historically known as Britain’s jeans capital. Under his leadership, the company employs local ‘Grand Masters’ to pass their precise texturing, cutting and sewing skills to the next generation of Welsh makers.
There is a £1,000 prize for the winner to be presented at a high-profile Winners’ Reception in November. Plus, one winner from the four UK nations will have their prize topped up to £2,000, supported by the Marsh Charitable Trust.
📅 Deadline: Friday 21 August 2026 (at 5pm)
➡️ Nominate someone (or yourself) today via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/our-awards/wales-maker-of-the-year-award/
📷 @annasticklandweaving by @dewitannattlloyd
Over seven posts we are profiling the recipients of our recent Endangered Crafts Fund round.
We are incredibly proud to support veteran mouldmaker Mark Marchant @ceramicmouldsuk with a grant to establish a local, hands-on apprenticeship in Stoke-on-Trent.
With over twenty years of experience at Wedgwood, Mark is one of the few remaining master mouldmakers, blockers and casers working in the UK. Industrial pottery mouldmaking is critically endangered, and vital workshop knowledge risks being lost forever if it is not actively passed on.
This funding will act as a financial buffer to support the initial training of apprentice Olivia Azzopardi @azzo_artist. Olivia, a talented local multidisciplinary artist, will undergo structured, one-to-one training on live client projects. She will learn essential skills like plaster-to-water ratios, silicone casing, profile development and bench work protocols.
This project represents a vital step toward diversifying the pottery production floor, increasing regional workshop capacity and securing the survival of industrial pottery heritage.
This round’s grants are funded by the Julia Rausing Trust and a private donor.
Mark said: “Winning support from the Heritage Crafts Endangered Crafts Fund is an incredible milestone for my mouldmaking practice. This funding directly addresses the preservation of a critical heritage skill. By investing in the advancement of my apprentice, we are scaling up our workshop’s capabilities. This growth means we can open our doors wider, teaching and inspiring a brand-new generation of mouldmakers to keep this traditional craft alive and well. Thank you so much for believing in us and my vision for this vital craft I love so much.”
We are delighted to announce our expert judging panel for this year’s Emerging Upholsterer of the Year Award, supported by @house_of_sonnaz. It takes a special eye and a skilled hand to breathe new life into furniture, and we want to celebrate the next generation of talent doing exactly that! 🛋️🪡🧵✂️🔨
• Delyth Fetherston-Dilke @delythfd – Formerly a lawyer for Warner Bros, Delyth runs a specialist upholstery business focused on traditional skills and natural fibres. A board member of the Association of Master Upholsterers, she recently channelled her legal expertise into campaigning against the health and environmental impacts of chemical flame retardants in the UK furniture industry.
• Sonnaz Nooranvary @sonnaz_ – An award-winning master upholsterer, entrepreneur and well-known public face of British craft, Sonnaz has famously appeared as a resident expert on BBC’s The Repair Shop. Having started her career with a prestigious upholstery apprenticeship at Sunseeker Yachts, she went on to found her own successful design and restoration company.
• Nadya Webster @whitebarnupholstery – A former journalist and communications specialist, Nadya Webster completed a professional upholstery diploma and now specialises in the painstaking restoration of challenging antique chairs. She won the Emerging Upholsterer of the Year Award in 2025, and is a passionate educator, using public demonstrations and social media to champion the craft while expanding her own skills.
There is a £1,000 prize for the winner to be presented at a high-profile Winners’ Reception in November. Plus, we are also running similar awards in crafts such as weaving and embroidery, with additional prizes of £1,000 provided by Rose Uniacke, the Broderers’ Company and others.
📅 Deadline: Friday 21 August 2026 (at 5pm)
➡️ Nominate someone (or yourself) today via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/our-awards/emerging-upholsterer-of-the-year/
📷 2025 finalist Lara Birley @pucciupholstery
Over seven posts we are profiling the recipients of our recent Endangered Crafts Fund round.
Full-time broom and brush maker Rosa Harradine @rosaharradine, from Sheffield, has been supported to purchase an antique broom stitching machine.
Rosa creates beautiful, functional, plastic-free brooms and brushes using traditional techniques. However, hand-stitching brooms is incredibly slow and puts a massive physical strain on the maker’s body, which limits production capacity and long-term business sustainability. This century-old Lipe & Walrath stitching machine will work alongside Rosa’s foot-powered kickwinder to make her production process faster and more efficient.
The increased efficiency will finally make wholesale production viable, allowing her to meet growing demand from shops and galleries. Rosa hopes to grow her practice to employ and train a small team, ensuring this wonderful, sustainable craft continues to thrive in the UK.
This round’s grants are funded by the Julia Rausing Trust and a private donor.
Rosa said: “I’m delighted to receive this support from Heritage Crafts. It gives me the opportunity to invest in a rare piece of historic equipment that will make my craft practice more sustainable for years to come.”
📷 Heather Birnie