Training bursaries

for those experiencing financial hardship

Applications are now closed for 2024

Our next training bursary round is due to open in January 2025 for specific crafts, and then an open craft round for any heritage craft (practised in the UK for two generations or more) will launch around May 2025. Keep an eye out on social media and our website for specific dates nearer the time.


These training bursaries are targeted at trainees and prospective trainees experiencing financial hardship. They are sponsored by the National Lottery Heritage Fund, Maxwell/Hanrahan Foundation, City & Guilds Foundation, Army Benevolent Fund, Royal British Legion, William Grant Foundation, Ashley Family Foundation, Newby Trust, Anthony and Elizabeth Mellows Charitable Settlement, D’Oyly Carte Charitable Trust, Worshipful Company of Arts Scholars, Soane Britain, Kendrick Hobbs and Malcolm and Rosalind Gammie. They follow eight previous bursaries in 2024 supported by The Royal Mint, the Costume Society, the Golsoncott Foundation and Jennifer Chen, and are part of a suite of awards and bursaries offered by Heritage Crafts to support and celebrate craftspeople.

Sponsor logos 2024

 

Apply for up to £4,000 to start training in a heritage craft or to further develop your skills.

Zoe Collis, former apprentice papermaker at Two Rivers Paper (photo by Alison Jane Hoare)

Zoe Collis, former apprentice papermaker at Two Rivers Paper (photo by Alison Jane Hoare)

Many people are dissuaded from training in heritage crafts because of the cost, and therefore the make-up of the sector is not truly representative of the mix of backgrounds that make up the UK as a whole. These bursaries have been set up to help cover or subsidise the cost of training for someone who would otherwise be prevented from pursuing this career path as a result of the cost.

You could be just starting out on your journey in craft or at the point where you want to turn a hobby into a career, or you could already be an early-career maker who is looking to further develop your heritage craft skills.

Successful applicants will be supported by the Heritage Crafts team to develop an action plan. We will work with you to monitor progress and support you to achieve your aims.

 

What can this grant be used for?

There are a number of routes to learning a craft skill. Applicants can apply for a grant for any amount up to £4,000 which can cover or contribute towards:

  • apprenticeship-style training with a craftsperson/people;
  • attending a specialist training course (accredited or non-accredited);
  • undertaking a self-directed programme of training with one or more craftspeople;
  • the cost of specialist tools or materials, books or study materials, or supporting travel and accommodation (no more than 30% of total budget).

The bursary cannot be used for general living expenses, trainee salary, research, promotional activities or anything else.

 

Applications are now closed for 2024

It can make you feel a bit insecure to not see people like yourself in the legends of your craft. It means so much to be part of Heritage Crafts for my confidence as a craftsperson, to meet others in the community and to feel less isolated and more part of a whole. This opportunity also gives me permission to dedicate time to being creative, which has otherwise been something I’ve had to neglect.

Hannah Girvan
Furniture maker
Hannah Girvan

Previous bursary recipients

Toben Lewis, bookbinder

Michael Dickson, clockmaker

Michelle Mateo, basket maker

Bursaries awarded to date

Heritage Crafts is delighted to have awarded 30 training bursaries for trainees to learn heritage craft skills since 2021, supported by The Royal Mint, the City & Guilds Foundation, the Costume Society, the Army Benevolent Fund, the Ashley Family Foundation, the Principality Building Society’s Future Generations Fund, the Golsoncott Foundation, the Arts Society, DCA Consulting, Kendrick Hobbs and Jennifer Chen.

  • Richard Barber, from Preston, to train with renowned jewellery maker Robin Girling in all aspects of stone setting in silver, gold and platinum.
  • Caius Bearder, from Glasgow, to train in silver spinning with Sheffield-based Warren Martin.
  • Logan Beckford-China, aged 16 from Cornwall, to undertake 40 days Cornish hedging training with the newly-formed Cornwall Rural Education and Skills Trust.
  • Marcia Bennett Male, sculptor from London, to train in portrait work, specifically how to use a traditional pointing machine for reproducing likenesses from a clay maquette.
  • Mia Brennan, from Kent, to attend the BTEC Higher National Certificate in Millinery at Morley College on a part-time basis.
  • Michael Dickson, aged 18 from Hertfordshire, to study a Foundation Degree in Clocks at West Dean College of Arts and Conservation.
  • Rosie Elwood, from Tyneside, to train in metal thread embroidery with goldwork embroiderer Hanny Newton and the Royal School of Needlework.
  • Roy Evans, metalsmith from Gloucestershire, to develop his coppersmithing skills at Newlyn Copperworks.
  • Andrew Fisher, leatherworker from Buckinghamshire, to attend courses on leather restoration and repair, seat upholstery and industrial sewing machine repair.
  • Hannah Girvan, from Devon, to undertake a one-to-one apprenticeship in furniture making at Woodlab.
  • Andreia Gomes, from London, to train at the VS Jewellery School in Hatton Garden, focusing on stone setting and mounting, and casting using the lost wax method.
  • Abby Gray, from Glasgow, to undertake an apprenticeship with renowned tailor and dressmaker Alis Le May.
  • Iona Hall, from Bristol, to train in silver box making with Kent-based silversmith Ray Walton.
  • Horatio Hawes, from Nottinghamshire, to extend his internship at Lancaster Armouries, with one-to-one training from master armourer Matthew Finchen.
  • Maya Howes, from Staffordshire, to attend the Corsetry Retreat in Lincolnshire to learn 18th century stay making, as well to gain additional one-to-one tuition.
  • Nkosi Kerr, from London, to complete a Level 3 Bench Joinery course at the Building Crafts College, setting himself up to make significant progress in his carpentry career.
  • Bodhi King, from Pembrokeshire, to undertake a number of specialised courses focusing on traditional and heritage blacksmithing.
  • Toben Lewis, from the remote community of Iona, to study bookbinding one-to-one with 2018 Heritage Crafts Trainer of the Year Kathy Abbott.
  • Michelle Mateo, basket maker from Monmouth, to train in split wood basketry and expand her repertoire from ask to hazel and oak splint basketry.
  • Daahir Mohamed, lime plasterer from Bristol, to undertake six-month Fellowship with the Society for the Protection of Ancient Buildings.
  • Claire Mooney, from Newry, Northern Ireland, to train in silver spinning with Sheffield-based Warren Martin.
  • Barney Murray, from Denbighshire, to undertake the Dry Stone Walling Association’s Master Craftsman certification scheme, under the mentorship of Andy Loudon.
  • Leena Patel, from Edinburgh, to complete a one-year Foundation Course to provide an in-depth knowledge into the skills required to become a jewellery maker.
  • Gareth Roberts, from West Sussex, to further his bookbinding training with Bound by Veterans and City Lit College.
  • Emma-Jane Rule, from Leicester, to train in silver box making with Kent-based silversmith Ray Walton.
  • Katie Sawyer, from Cheshire, to train one-to-one with historical textile expert Sally Pointer, as well as various courses at the Manchester School of Costume.
  • Lily Smith, from Dundee, to train with Sheffield-based Warren Martin in the craft of silver spinning.
  • Devin Valentine, from Southampton, to continue studying the Musical Instruments FdA at West Dean College.
  • Cameron Wallace, from Clackmannanshire, to learn hand lettercutting with master lettercutter Gillian Forbes.
  • Ieuan Williamson, from Gwynedd, to expand his skills into timber framing through an intensive two-week residential course.