Heritage Crafts

Horsehair weaving

The manufacture of horsehair upholstery fabric (also known as hair cloth) on a cotton or silk warp.

This craft uses products derived from animals – please read our ethical sourcing statement.
CRITICALLY ENDANGERED
Status
Critical
Craft category
Textile
Historic area of significance
UK
Area practiced currently
Castle Cary, Somerset
Origin in the UK
1800s
Current No. of professionals (Main income)
1
Current No. of professionals (Side income)
0
Current No. of trainees
0
Current total No. of serious amateur makers
0
Current No. of leisure makers
0

History

Horsehair fabrics are woven with the tail hair from live horses and cotton or silk warps. The last remaining manufacturer, John Boyd Fabrics, still use the original looms and techniques from 1870.

Hair cloth was widely used by top end furniture designers such as Chippendale, Hepplewhite, Lutyens, and Rennie Mackintosh, and are still used for a wide range of upholstered furniture. The fabric is known for its lustre and is used by contemporary designers for its luxury and durability.

Horsehair cloth became popular in the 1800s due to an abundant supply from live working horses whose tails were cropped. Today, the horsehair is sourced from countries such Mongolia who still work horses with cropped tails.

Techniques

The horsehair fabrics were initially woven by hand. This would require a weaver to stand at a loom all day and a small child would sit in the loom with the horse tail, serving the hair to the weaver. The Education Act of 1870, ensuring that all children went to school, led to the development of mechanical looms patented by John Boyd. A mechanical picker was able to tease one hair from the tail. The tail must be carefully mixed and drawn through teeth of a large comb beforehand.

Sub-crafts

n/a

Issues affecting the viability

  • Availability of raw materials
  • Changing tastes and fashions for animal products

Support organisations

n/a

Training organisations

n/a

Craftspeople currently known

Businesses employing two or more makers:

Other information

n/a

References

n/a

National Lottery Heritage Fund
Swire Charitable Trust
The Royal Mint
Pilgrim Trust
Maxwell/Hanrahan Foundation
William Grant Foundation

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