If you are commenting on an existing craft, please select it here and skip the next two questions
Please enter the name of the craft you would like us to add here.
If this is a new craft type please select the most suitable category
Please identify country, region, county or town
Please identify an era/century/approximate historic period.
Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation. For more information on definitions see http://heritagecrafts.org.uk/redlist/categories-of-risk/
People earning their main craft income from this craft (selling, commissions, conservation/ restoration and/or teaching).
People practicing this craft commercially (selling, commissions, conservation/restoration and/or teaching) but as less than half of their income.
People acquiring skills in order to become a professional in this craft, they probably have to work under supervision even if they are earning money while training.
People whose knowledge and ability is at a level of the most skilled practitioners of this craft.
People who do not intend to practice this craft professionally or at the highest level.
Passing on of generational knowledge: Fewer young artists in Ukraine are learning the craft, as traditional arts may seem less lucrative or relevant in the modern world. In the diaspora community they may be seen as more relevant, as people are displaced from their communities and cultural heritage.
Competition from mass production and imitations: Mass production and cheap imitations (often digital reproductions or factory prints) reduce the perceived value of authentic, handmade works. These imitations can dilute the artistic standards and cultural significance of the tradition.
Globalisation and Cultural Homogenisation: There is a risk that mainstream trends and digital aesthetics will overshadow local artistic traditions.
Political and Social Instability: The war in Ukraine and ongoing regional instability can disrupt cultural transmission, destroy local art centres, and displace artists. There is also the threat of cultural erasure under conflict conditions.
Preservation of skills and cultural heritage within Ukrainian communities in the UK: Petrykivka and other crafts can be an important link to cultural heritage for those in displaced and refugee communities.
e.g. lack of qualifications, funding for training etc.
If yes, please describe the issues below
e.g. lack of demand for products/skills etc.
Tick the box if there are difficulties with the supply of raw materials, allied materials or tools
i.e. issues around running any small business, not just crafts
Is the main workforce made up of people who are approaching retirement age?
e.g. legal restrictions on materials, health and safety etc.
e.g. Brexit, Covid-19, conflict
Please describe any other issues
Please describe any UK projects or schemes
Please list any known practitioners of this craft — add a row item for each person or business and complete the fields to the best of your knowledge. To get started click the `Add practitioner` button below.
It may include when and where the craft developed, how it has changed over time, etc.
e.g. festivals, religious celebrations, agricultural practices, music, dance etc.
e.g. religious, ethnic, social class. Please give an overview of the techniques involved in the craft.
This may involve different materials, techniques, styles or finished products.
e.g. books, websites etc.
Enter the destination URL
Or link to existing content
