Red List Comment Submission

Commenting on: Rope making

Section one - About you

Section two - Description of the craft

If you are commenting on an existing craft, please select it here and skip the next two questions

Please enter the name of the craft you would like us to add here.

If this is a new craft type please select the most suitable category

Please identify country, region, county or town

Please identify country, region, county or town

Please identify an era/century/approximate historic period.

Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation. For more information on definitions see http://heritagecrafts.org.uk/redlist/categories-of-risk/

Section three - Current numbers of those practising the craft in the UK

People earning their main craft income from this craft (selling, commissions, conservation/ restoration and/or teaching).

People practicing this craft commercially (selling, commissions, conservation/restoration and/or teaching) but as less than half of their income.

People acquiring skills in order to become a professional in this craft, they probably have to work under supervision even if they are earning money while training.

People whose knowledge and ability is at a level of the most skilled practitioners of this craft.

People who do not intend to practice this craft professionally or at the highest level.

Section four - Issues affecting the viability of the craft

Existing content:
  • Supply of raw materials: The availability and cost of yarn has a significant impact on a competitive business market where it is essential to buy good quality yarns. Materials are imported so the prices vary. Natural fibres suffer from harvest fluctuations; synthetic fibres depend on oil prices. While wool is currently fairly readily available, getting good quality flax and hemp yarn is a challenge.
  • Market issues: Mass production of ropes keeps the product market prices of rope very low and competitive on an international level. It’s not commercially viable to make rope on a traditional rope walk.
  • Market issues (Church Bell Ropes): It is very hard to make a profit out of church bell rope making but there is a need and there is a very small global market. With the decline of the church attendence, a lot of bells are falling silent and demand for church bell ropes is also dwindling. Even when churches have been repurposed, they usually retain their bells which are still rung occasionally and therefore require ropes.
  • Diversification: Diversification of products and services, such as becoming a tourist attraction, has helped businesses to survive
  • Skills issues: The practical skills involved in general rope making are very simple – it is possible to learn the basic skills in a day and become reasonably competent in a week. However, it takes much longer to learn the ins and outs, what works and what doesn’t for each context, and to learn the details of the products and understand the types of yarn to use etc.
  • Skills issues: The practical skills involved in church bell rope making take a while to master and get the standard right so that the rope will last for many years and meet the quality expectations.
  • Availability of tools and equipment: The machinery used to make church bell ropes is not commonly available. It has to be manufactured bespoke for the purpose. Trying to get into doing it, or expanding is very very time consuming and costly as everything needs to be made bespoke and not off of the shelf.
  • Lack of support for the sector: There are no support organisations promoting the craft of bell rope making – if there was, it would mean more people would start up reducing the demand for the companies already making products – it isn’t something I would encourage. I would encourage the organisations to promote the ringing and training people to ring church bells as it provides a customer base for future generations.
  • Space and building issues: Requiring a long thin building to house a rope walk is not commonly available today as any long building also has width which isn’t needed.

e.g. lack of qualifications, funding for training etc.

If yes, please describe the issues below

e.g. lack of demand for products/skills etc.

If yes, please describe the issues below

Tick the box if there are difficulties with the supply of raw materials, allied materials or tools

If yes, please describe the issues below

i.e. issues around running any small business, not just crafts

If yes, please describe the issues below

Is the main workforce made up of people who are approaching retirement age?

If yes, please describe the issues below

e.g. legal restrictions on materials, health and safety etc.

If yes, please describe the issues below

e.g. Brexit, Covid-19, conflict

If yes, please describe the issues below

Please describe any other issues

Section five - Current Initiatives to preserve craft skills

Please describe any UK projects or schemes

Section six - Main players in the craft – please tell us who you know about

Please list any known practitioners of this craft — add a row item for each person or business and complete the fields to the best of your knowledge. To get started click the `Add practitioner` button below.

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Section seven - Optional additional information

It may include when and where the craft developed, how it has changed over time, etc.

e.g. festivals, religious celebrations, agricultural practices, music, dance etc.

e.g. religious, ethnic, social class. Please give an overview of the techniques involved in the craft.

This may involve different materials, techniques, styles or finished products.

e.g. books, websites etc.