Red List Comment Submission

Commenting on: Oar, mast, spar and flagpole making

Section one - About you

Section two - Description of the craft

If you are commenting on an existing craft, please select it here and skip the next two questions

Please enter the name of the craft you would like us to add here.

If this is a new craft type please select the most suitable category

Please identify country, region, county or town

Please identify country, region, county or town

Please identify an era/century/approximate historic period.

Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation. For more information on definitions see http://heritagecrafts.org.uk/redlist/categories-of-risk/

Section three - Current numbers of those practising the craft in the UK

People earning their main craft income from this craft (selling, commissions, conservation/ restoration and/or teaching).

People practicing this craft commercially (selling, commissions, conservation/restoration and/or teaching) but as less than half of their income.

People acquiring skills in order to become a professional in this craft, they probably have to work under supervision even if they are earning money while training.

People whose knowledge and ability is at a level of the most skilled practitioners of this craft.

People who do not intend to practice this craft professionally or at the highest level.

Section four - Issues affecting the viability of the craft

Existing content:

Oar, mast and spar making:

  • Market issues: There is still a demand for hand made wooden oars – either for new boats or to replace existing hand-made oars. While some companies machine-make oars, the International Boatbuilding Training College (IBTC) still teaches the craft of making oars by hand.
  • Market issues: There are still people willing to pay for good workmanship, but profit needs to be less if final price does not frighten people off. Firms which make machine made oars, spars and masts can absorb some costs in the handmade sector, but overheads are generally high. Individuals can make oars in their sheds in Cornwall, but they will not be able to charge labour rates that would make a living. A hand crafted Cornish gig oar will retail at £500, whereas a pair of machine made, hand finished, straight oars will cost about £70.
  • Market issues: The restoration side of the craft is dependent on the continuing interest in classic boats, both from individuals and groups.
  • Training issues: Trainees, including apprentices are being taken on, but skills are not always good enough from college outputs, and there is often a lack of business awareness, including the need for work to be completed quickly to make a profit. It is difficult to find the right partner course – one firm has taken on an apprentice via a cabinet making course.
  • Supply of raw materials: Most materials are imported from British Columbia in Canada, where the slow growing sitka spruce is ideal for the work. There is no threat to this source at present.
  • Market issues: Whilst ‘hobbyist’ oar makers do not seem under threat, the danger is that small and medium sized firms will, in the future, not be able to keep handmade prices within reason and the buyers will only be the very wealthy.
  • Business issues: Small businesses are facing mounting challenges including the high cost of living and wage expectations. Recent increases to the minimum wage have compounded these difficulties, as even trainees are now expected to deliver immediate productivity, placing considerable strain on businesses during their training periods. Rising employer National Insurance contributions have added further financial pressure, following previous obligations to fund employee pensions. Business rates also present a significant burden.

Flagpole making:

  • There is only one dedicated maker (The Wooden Flagpole Company Ltd), producing 10-20 flagpoles a year, although some spar makers might produce the odd one or two as a sideline.
  • Training issues: Individuals may do a short course and make their own flagpole, but then would not make any more. Serious training would not be relevant due to the very small market.
  • Market issues: Although they do not last as long, aluminium and fibreglass poles are much cheaper to produce.
  • Market issues: The market is 50 per cent historic buildings/restoration and 50 per cent for individuals’ houses. The future market will depend on the degree of authenticity seen to be important in historic buildings, and whether individuals will continue to pay high prices for traditional materials and craftsmanship.

e.g. lack of qualifications, funding for training etc.

If yes, please describe the issues below

e.g. lack of demand for products/skills etc.

If yes, please describe the issues below

Tick the box if there are difficulties with the supply of raw materials, allied materials or tools

If yes, please describe the issues below

i.e. issues around running any small business, not just crafts

If yes, please describe the issues below

Is the main workforce made up of people who are approaching retirement age?

If yes, please describe the issues below

e.g. legal restrictions on materials, health and safety etc.

If yes, please describe the issues below

e.g. Brexit, Covid-19, conflict

If yes, please describe the issues below

Please describe any other issues

Section five - Current Initiatives to preserve craft skills

Please describe any UK projects or schemes

Section six - Main players in the craft – please tell us who you know about

Please list any known practitioners of this craft — add a row item for each person or business and complete the fields to the best of your knowledge. To get started click the `Add practitioner` button below.

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Section seven - Optional additional information

It may include when and where the craft developed, how it has changed over time, etc.

e.g. festivals, religious celebrations, agricultural practices, music, dance etc.

e.g. religious, ethnic, social class. Please give an overview of the techniques involved in the craft.

This may involve different materials, techniques, styles or finished products.

e.g. books, websites etc.