Armour and helmet making

The making of metal armour and helmets, as historically worn as protective clothing in battle.

For as long as there has been warfare, there has been an armour making craft. Early armour was maille, leather, and layers of quilted fabric sometimes with small plates of metal sewn between the layers. Plate armour made from larger pieces of metal only really developed in the fourteenth, fifteenth and sixteenth centuries. Nothing detailed is known about the craft of armour making before the fourteenth century when the Armourers Company was founded in London in 1346. For the next two centuries armour was being made, but little is known about what was being made. Henry VIII brought armour makers over from the continent, initially in 1511 eventually establishing a workshop in Greenwich producing high quality armour for the Court made in their own particular style, and training British armourers. The Greenwich Armoury survived into the seventeenth century, but it, along with the whole industry, collapsed at the end of the seventeenth century when armour went out of use.

It is a common misconception that the growth of firearms led to the demise of armour, but the decline had a lot more to do with expense and complications of the process – it is skilled work and to make anything, both in terms of apprenticeship and production, takes a long time.

Armour wearing was revived in the late eighteenth and early nineteenth centuries for ceremonial purposes – particularly for the Guards. Interest in armour revived, after a gap of over a century, following the Eglington Tournament in 1839 and there was a thriving industry making armour through the rest of the nineteenth century. Armour making, especially for re-enactors, revived again in the 1960/70s and there are a small number of people making armour today.

Armour has never really gone away and is used on today’s ‘battlefield’ in pretty much the same way as it was in the past, the difference being that the materials are more likely to be titanium, carbon fibre etc.

• Market issues: There is never going to be massive demand for armour. It is a very specialist and limited market (there’s not much else you can use armour for) and is very expensive as it takes a long time to make. The main customers are re-enactors, museums and collectors.
• Competition from cheap imports: The biggest threats to the survival of armour making are imports of cheaply-made and poor quality products from places like India. Many re-enactors start with this armour as it is adequate and inexpensive. A re-enactor could equip themselves for around £1000 if they took this route whereas, buying British armour would probably cost 10 times that amount.
• There are very few people practising the craft and few people entering it – but the demand is quite low.
• Market issues: Most modern armourers produce armour out of sheet steel, which is less strong – but nobody needs armour which can withstand an arrow being shot by a long bow, so this sort of skill will die out.
• Dilution of skills: Some armourers will do crude/rough work by hand and then finish by machine, while others will do almost all the work completely by machine.

There is no umbrella organisation for the craft. However, the living history community is very vibrant and members tend to support one another. There are events and markets throughout the year that generate trade and supply the needs of re-enactors and living history.

• TORM: The Original Re-enactors Market
• National Living History Fayre
• International Living History Festival
• Historic UK Trader’s Market
• Historic Traders

• Terry English
• Dressed to Kill
• Mark and Jo Vickers, St George Armoury
• Dave Hewitt, White Rose Armoury
• Plessis Armouries
• Armour Services Historical
• Chris Dobson