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11 new training bursaries awarded

Heritage Crafts is delighted to award 11 new bursaries for trainees from across the UK to learn heritage craft skills, supported by the City & Guilds Foundation, the Army Benevolent Fund, the Ashley Family Foundation, the Principality Building Society’s Future Generations Fund, the Arts Society, DCA Consulting and Kendrick Hobbs.

These follow previous bursaries supported by The Royal Mint and other partners, and are intended to support heritage crafts trainees who are unable to meet the cost of their training, as the UK continues to deal with the ongoing cost-of-living crisis.

Bursaries 2023Hannah Girvan is a Devon-based early-career furniture maker and architectural joiner who works for Woodlab, making furniture from local wood that they kiln-dry on site. Their bursary will allow them to undertake a one-to-one apprenticeship there, alongside spending up to a week per month at fine furniture school Williams & Cleal. Their goal is to develop a skillset based on eco-forestry principles. They plan to teach and speak in support of an inclusive culture in heritage crafts, helping craftspeople of the future.

Leena Patel is an Edinburgh-based early-career jewellery maker. For the last two years she has attended weekly community-based jewellery-making sessions. Her bursary will allow her to complete a one-year foundation course to continue on her jewellery-making journey. The course would provide an in-depth knowledge into the skills required to become a jewellery maker and designer. Ultimately, she hopes to start a business, and to encourage a diverse range of people with different backgrounds and cultures to feel comfortable and able to consider jewellery making or other crafts as part of their future.

Roy Evans trained as a metalsmith in the Royal Electrical and Mechanical Engineers. After leaving the Army he got a job in IT but always wanted to return to his passion, and started making metal sculptures in his spare time before giving up the day job in June this year. His bursary will allow him to train with Michael Johnson at Newlyn Copperworks in Cornwall, a workshop with an international reputation in a number of coppersmithing techniques. He plans to go on to teach the craft to others.

Andy Fisher is an early-career leatherworker who served in the Army and Reserves for 22 years in the Royal Corps of Transport, Royal Logistic Corps and 21 SAS. He currently works part time as a training provider in construction skills but his passion lies in leatherworking, especially for vintage vehicle interiors. His bursary will allow him to attend three courses on leather restoration and repair, seat upholstery, and industrial sewing machine repair. As well as restoring vehicles and making leather products, he also intends to run short courses for veterans.

Gareth Roberts was introduced to the craft of bookbinding by Bound by Veterans (BBV), after serving in the British Army. BBV is a charity which supports wounded, injured and sick ex-service personnel using the restorative powers of manual bookbinding to assist rehabilitation and develop employment skills. His bursary will allow him to continue to train with BBV and at Cit Lit College, London, under experts Kate Rochester, Sue Doggett, Ina Baumeister and 2018 Heritage Crafts Trainer of the Year Kathy Abbott. He plans to pass on his craft, believing that every sector of society has the right to learn this age-old skill.

Ieuan Williamson is a Gwynedd-based slate roofer whose great, great grandfather was a ferryman bringing slate down the river Dwyryd from the Ffestiniog slate quarries. He wishes to expand his skills into timber framing in order to incorporate whole building construction into his projects and make his business more viable to support his young family. His bursary will allow him, and his apprentice Dwyryd to attend an intensive two-week residential timber framing course. In the future he would like to pass on his skills to other young people in this area through the Welsh language.

Barney Murray is a Denbighshire-based early-career drystone waller who took up the craft after deciding that he preferred being outdoors than studying at college. His bursary will allow him to undertake the extremely rigorous and notoriously challenging Drystone Walling Association’s Master Craftsman certification scheme, under the mentorship of master waller Andy Loudon. In the future he intends to take on an apprentice of his own, replicating his own training path.

Bodhi King, based in Pembrokeshire, took up blacksmithing after attending a private week-long course last year in mid Wales. After experiencing homelessness he has spent the last few years building a more financially stable life for him and his son. His bursary will allow him to undertake a number of specialised courses focusing on traditional and heritage blacksmithing. He intends to operate as an independent blacksmith, doing smaller local jobs whilst developing his skillset and portfolio to do larger heritage and architectural work.

Abby Gray, originally from rural Galloway and now based in Glasgow, participated in a trainee programme in the costume department of an independent feature film in 2021. She had no prior professional experience, but as a result realised that university wasn’t the right path for her and that she wanted to pursue a career in bespoke tailoring. Her bursary will allow her to undertake an apprenticeship with renowned tailor and dressmaker Alis Le May. In the future she would like to run her own business focusing on creating bespoke clothing for people who feel that they aren’t catered for.

Logan Beckford-China, aged 16, is based in Cornwall and passionate about supporting the critically endangered craft of Cornish hedging, having been introduced to the craft through Heritage Crafts’ Pre-apprenticeship Project earlier this year. Logan intends to undertake 40 days training under the auspices of the newly-formed Cornwall Rural Education and Skills Trust (CREST) while studying in the evenings for his GCSE in Environmental Management. He intends to work as a freelance Cornish hedger, the first of a new generation that will ensure the future of this centuries-old craft.

Cameron Wallace is a Clackmannanshire-based monumental mason in his first year of self-employment with a young family. Not content with computer-controlled sandblasting to inscribe memorials, Cameron wishes to join the small number of Scottish hand lettercutters. His bursary will allow him to learn with master lettercutter Gillian Forbes, and eventually set up his own workshop making beautiful hand-crafted memorials.

Heritage Crafts Endangered Director Daniel Carpenter said:

“Building on the five bursaries awarded earlier this year in partnership with The Royal Mint, we are immensely grateful to be working with so many wonderful partners to increase that number to sixteen in 2023. These bursaries will not only change the course of their recipients lives for the better, but will help ensure the future of so many skills that are rooted deep within the UK’s intangible cultural heritage.”

 

Click here to see the 22 bursaries awarded since 2021

Download press releases:

 

About Heritage Crafts

Founded in 2009, the Heritage Crafts is a Charitable Incorporated Organisation (CIO) registered as the ‘Heritage Crafts Association’. Working in partnership with government and key agencies, it provides a focus for craftspeople, groups, societies and guilds, as well as individuals who care about the loss of traditional crafts skills, and works towards a healthy and sustainable framework for the future. Its aim is to support and promote heritage crafts as a fundamental part of our living heritage.

www.heritagecrafts.org.uk

 

About the City & Guilds Foundation

The City & Guilds Foundation is part of the City & Guilds Group charity, and has a specific focus on high impact social investment, recognition and advocacy programmes. Each of the programmes it runs act as a catalyst to make a difference to people, organisations and society, through investing part of its surplus and resources into helping everyone, no matter who they are or where they come from, get opportunities to succeed.

cityandguildsfoundation.org

 

About the Army Benevolent Fund The Soldiers’ Charity

The Army Benevolent Fund is the Army’s national charity. It stands at the forefront of support for the Army family, last year supporting 70,000 people in 45 countries around the world. As one of the largest funders in the sector, it awards grants to individuals and families, and fund leading organisations that support soldiers, former soldiers, and their families.

soldierscharity.org

 

About the Ashley Family Foundation

The Ashley Family Foundation (formerly The Laura Ashley Foundation) is a registered charity founded by Sir Bernard and Laura Ashley following the success of the Laura Ashley fashion and interiors business. It uses its funding to develop strong communities, social welfare and creative arts in England and Wales, with a particular emphasis on supporting rural communities.

www.ashleyfamilyfoundation.org.uk

 

About the Principality Building Society’s Future Generations Fund

The Principality Building Society’s Future Generations Fund is a Wales-wide fund set up in partnership with Principality Building Society with the aim of having a positive impact on society and the lives of young people in Wales.

communityfoundationwales.org.uk/grants/the-principality-building-societys-future-generations-fund

 

About the Arts Society

The Arts Society is a leading arts education charity with a global network of local societies which bring people together through a shared curiosity for the arts. Its belief that the arts have the potential to enrich peoples’ lives is at the heart of everything it does.

theartssociety.org

 

About DCA Consulting

DCA is a Birmingham based culture, creativity and regeneration consultancy and project development company working on arts, creative industries, media, heritage, regeneration and broader economic development projects.

www.dca-consultants.com

 

About Kendrick Hobbs

Kendrick Hobbs delivers relevant, sympathetic and financially sustainable catering solutions, and is uniquely placed to advise how best to plan, setup, design, organise and manage catering operations in theatres, visitor attractions, historic houses, music halls, museums and galleries.

kendrickhobbs.co.uk

Symposium on Precious Metal Skills

Symposium on Precious Metal Skills

When: Tuesday 25 July 2023, 10am to 3.30pm
Where: Somerset House, The Strand, London WC2R 1LA
Cost: Entry to this event is free and refreshments will be provided.

Heritage Crafts and the The Royal Mint are bringing together expert practitioners in precious metal crafts from a broad industry base to Somerset House to create a consensus across the industry of what is required to support at-risk skills.

The symposium will aim to raise awareness and drive support for at-risk skills within precious metal crafts such as gold and silversmithing, medal making, metal thread manufacture, gilding, hand engraving and many others.

The day is supported by the Royal Mint and The Pilgrim Trust and will be opened with a keynote address from Anne Jessopp, CEO of The Royal Mint. The remainder of the day will include talks from practitioners, a panel discussion and breakout discussions on issues affecting skills transmission.

Click here to book

 

Heritage Crafts and The Royal Mint award five craft bursaries

The Royal MintEarlier this year The Royal Mint and Heritage Crafts announced their partnership to award four bursaries to preserve and champion traditional craft skills related to precious metals.

Heritage Crafts and The Royal Mint received 80 applications from aspiring precious metal crafters, keen to learn from some of the greatest craftspeople across the United Kingdom. Following shortlisting and interviews, five successful recipients were selected, all of whom show huge potential but require additional support in order to progress their careers. The additional bursary was added at the discretion of The Royal Mint, following a very close and competitive application and interview process.

Later this year, The Royal Mint will open an additional bursary scheme for those looking to hone their skills precious metals and learn from some of the best in the industry.

The five successful applicants of the bursary scheme will benefit from up to £4,000 in funding each, as well as having the opportunity to spend time with The Royal Mint’s master craftspeople, including Gordon Summers, Chief Engraver, and Paul Morgan, The King’s Assay Master.

Precious metal bursary recipients 2023 Claire Mooney from Newry, Northern Ireland, and Caius Bearder from Glasgow will train in silver spinning with Sheffield-based Warren Martin. Silver spinning is the process of shaping a flat silver disk into a hollow item on a lathe, shaping it over a former known as a ‘spinning chuck’. It is a critically endangered craft on Heritage Crafts’ Red List of Endangered Crafts with fewer than 15 practitioners in the UK. Claire will use her new skills to offer one-off and production work to silversmiths across the UK and Ireland. Caius will use the skills he learns to help reduce the production costs of his beautiful engraved silver vessels which have until now been laboriously hand raised.

Iona Hall from Bristol and Emma-Jane Rule from Leicester will train with Kent-based silversmith Ray Walton. Both will spend their time with Ray making silver boxes, with Iona focusing on various techniques of hinge construction and Emma-Jane specialising in chasing and repoussé, the process of shaping silver by hammering from the reverse side to create a design in low relief. Iona plans to take her box making to the highest level, creating unusual objects that evoke a strong emotional connection. Emma-Jane is a second-career silversmith who plans to combine commercial practice with teaching the craft to others.

Rosie Elwood from Whitley Bay, Tyneside, is a jewellery maker who will train in the craft of metal thread embroidery with goldwork embroiderer Hanny Newton and through various short courses offered by the Royal School of Needlework. Rosie plans to incorporate goldwork embroidery into her jewellery, as well as seeking employment in the embroidery itself. The manufacture of metal thread is another critically endangered craft in the UK, and Rosie’s work will help raise awareness of this unique material.

The Royal Mint’s expertise in precious metals spans over a thousand years. Known as the home of precious metals in the UK, The Royal Mint offer products including gold, silver and platinum commemorative coins, bars for investment, and a digital gold saving option, backed by metal held in their vault. Last year they announced plans to build a factory to recover precious metals from electronic waste, currently active at lab level. Recovered metal is being used to create beautiful jewellery pieces in their latest business venture, 886 by The Royal Mint.

Paul Morgan, The King’s Assay Master said:

“As an exemplar of British craftsmanship, we believe we have a duty to promote, protect and celebrate British craftsmanship. I am extremely proud to announce the successful recipients of the bursary scheme in partnership with Heritage Crafts. Our long-term mission is to spearhead the resurgence of precious metals craftsmanship in the UK. By doing this we hope to provide more job opportunities for future generations and offer a more sustainable, viable manufacturing alternative to international suppliers – qualities which are increasingly important.”

Daniel Carpenter, Executive Director of Heritage Crafts, said:

“Our partnership with The Royal Mint speaks to the very core of our mission in safeguarding and celebrating traditional craft skills as being of vital importance to the cultural, social and economic life of the UK. We are thrilled to have joined together to enable Claire, Caius, Iona, Emma-Jane and Rosie to overcome the barriers they faced and set them on the path to mastering their chosen crafts.”

Download the press release

Photo credits:

  • Claire Mooney (top) by Ruairí Jordan
  • Emma-Jane Rule (second from bottom) by Yatish Chavda Photography

Jewellery making

Currently viable crafts

 

Jewellery making

 

The making of precious and non-precious studio jewellery, including non-metals, but excluding pure gold (see goldsmithing). See also silversmithing and diamond cutting.

This craft uses minerals extracted from the earth – please read our ethical sourcing statement.

 

Status Currently viable
Historic area of significance London and Birmingham. Also, Edinburgh and Sheffield
Area currently practised UK
Origin in the UK

 

History

Jewellery is a personal ornament, such as a necklace, ring, or bracelet, made from gemstones, precious metals or other materials. Although during earlier times jewellery was created for practical uses such as wealth, storage and pinning clothes together, in recent times it has been used almost exclusively for decoration. The first pieces of jewellery were made from natural materials, such as bone, animal teeth, shell, wood, and carved stone.

 

Techniques

  • Metalwork: soldering; forging; etching; repose; raising; enamelling; hammering; stone setting; plating; engraving.
  • Non-metal processes can include techniques taken from textiles; plastics; paper etc

 

Local forms

 

Sub-crafts

  • Gem setting (also classified as a sub-craft of goldsmithing – see entry for further details).
  • Jewellery polishing and finishing (also classified as a sub-craft of goldsmithing – see entry for further details).

 

Issues affecting the viability of the craft

  • There are fewer colleges offering jewellery at degree level, although there are many more independent colleges springing up.
  • There are issues for our trades, e.g. stonecutters; engravers; polishers and platers finding young apprentices.
  • There are also issues, particularly for London-based jewellers, finding affordable workspace.

 

Support organisations

Craftspeople currently known

Jewellery has a very healthy amount of craftspeople, including those who have specifically trained in the area and craftspeople who, although trained in other areas, find jewellery to be a viable way to make a living over their original craft.

 

Other information

 

References