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Seven more grants to help save endangered crafts

A coppersmith, a Highland thatcher and a trainee sailmaker are among the recipients of a new round of grants to help safeguard some of UK’s most endangered craft skills.

Scot AnSgeulaiche, Samantha Dennis and Nicholas Konradsen Heritage Crafts has awarded the grants through its Endangered Crafts Fund, which was launched in 2019 to increase the likelihood of at-risk craft skills surviving into the next generation. Five of this round’s grants are funded by The Radcliffe Trust and were selected with special consideration of the impact of the energy crisis on our most vulnerable crafts.

In 2021 Heritage Crafts published the third edition of its groundbreaking Red List of Endangered Crafts, the first research of its kind to rank the UK’s traditional crafts by the likelihood that they will survive into the next generation. The report assessed 244 crafts to ascertain those which are at greatest risk of disappearing, of which four were classified as extinct, 74 as ‘endangered’ and a further 56 as ‘critically endangered’. A new edition will be published on 11 May 2023.

The seven successful recipients are:

  • Scot AnSgeulaiche from Perthshire, to train an apprentice in the craft of Highlands and Islands thatching and encourage the use of locally-grown thatching materials.
  • Birgit Frietman and Robyn Smith from London, to set up a hub for horn working in London and reduce their carbon footprint by completing more processes in-house.
  • James Slaven from Glasgow, to train in sailmaking with Mark Shiner and set up a workshop at the GalGael Trust making and repairing sails and repurposing old sailcloth.
  • Steve Hogarth from Derbyshire, to add the skills of leadworking and flint masonry to his steeplejack business, maintaining the usefulness of traditional buildings without the impact of scaffolding.
  • Samantha Dennis from Shetland, to catalogue and replicate historical coiled baskets of Shetland and create a market for small crofters to sell locally-grown oat straw.
  • John Wills from Northamptonshire, to set up a tinsmithing and coppersmithing workshop that will also provide teaching, using renewable charcoal to heat the traditional soldering coppers.
  • Nicholas Konradsen from Lincolnshire, to research and make Lincolnshire bagpipes in a new workshop with more energy-efficient equipment.

These seven projects follow 50 others awarded in previous rounds, covering endangered crafts such as clockmaking, tinsmithing, kiltmaking and many more. Along with The Radcliffe Trust, which has been the major funder in this round, other funders have included The Sussex Heritage Trust, The Pilgrim Trust, The Dulverton Trust, The Swire Charitable Trust and others, as well as individuals who have donated sums from £5 right up to several thousands of pounds.

As usual the fund was oversubscribed, and Heritage Crafts hopes to work with many of the unsuccessful candidates to identify other funding and support opportunities.

Mary Lewis, Heritage Crafts Endangered Crafts Manager, said:

“The current energy crisis means that our craft skills are at more risk than ever before. We are delighted to be working in partnership with the Radcliffe Trust and other funders to address the specific challenges being faced by endangered crafts practitioners at this time.”

View the full list of the 57 grants awarded to date 

Highlands and Islands thatching

The HCA Red List of Endangered Crafts

 

Highlands and Islands thatching

The thatching of roofs in the Highlands and Islands tradition, using locally available materials such as marram grass, oat straw, heather, bracken and rush. See also thatching.

 

Status Critically endangered
Historic area of significance Scottish Highlands and Islands
Area currently practised Western Isles, Northern Isles, Shetland, Scottish Highlands
Origin in the UK
Current no. of professionals (main income) 1
Current no. of professionals (sideline to main income)
1-4
Current no. of trainees 0
Current total no. serious amateur makers
Fewer than 10
Current total no. of leisure makers
Not known
Minimum no. of craftspeople required

 

History

Scotland has a long tradition of using thatch, and it has one of the most diverse ranges of thatching materials and techniques found in Europe. However, the number of traditional thatched buildings is decreasing. A 2018 report into Scotland’s thatched buildings listed 236 buildings in Scotland which were thatched or are recorded as having had been thatched. A number of these were deteriorated at that time, and the number has continued to decrease.

There is a modest revival happening in some parts of Scotland that is being supported by Historic Environment Scotland. Thatching in the Western Isles, and particularly Uist, is also being driven by tourism and second home owners, as many visitors to the Islands are keen to stay in a traditionally thatched building. This contrasts to the Northern Isles, where the tradition is virtually extinct, and extant examples all feature compromised techniques, as is the case in Lewis. In Shetland there were around 50 recorded thatched buildings in the 1980s, and in 2021 there were just three. As the materials used in Highland and Islands thatch are less durable than with English thatch, the loss of thatched roofs has been more rapid.

 

Techniques

Highlands and Islands thatch is a different technique to English thatch and utilised locally available materials including marram grass, heather, broom, bracken and rush. It was less durable than English methods, because of the locally-available plants and wet climate.

When using oat straw or marram grass, the new thatch is installed over the old thatch, which settles and compresses over time. After three to ten years a new layer of thatch is added as the outside layer of thatch breaks down. The thatch is not fixed to the roof and is instead held down with a system of netting and stone weights to withstand the high winds and extreme weather. Other materials, such as heather, are fixed directly to the roof.

The techniques differs across the region. Hebridean and Highland construction typically utilise barley, heather or bracken, with hipped gables, and watershed into the wall-core; Northern Isles featured oat straw, with stone/turf gables, and watershed outside the wall-face.

 

Local forms

ThatchingInfo.com has a useful series of resources on Highland Thatching traditions:

 

Sub-crafts

 

Issues affecting the viability of the craft

  • Skills issues: There is a lack of training in heritage building skills and it is difficult to recruit trainees
  • Training issues: there is no financial support available to support training for thatching
  • Market issues: for financial and practical reasons, most home owners will opt for lower maintenance roofing options. Those that do choose thatch are tending to do it to attract tourists to rental properties, or because they are personally committed to preserving heritage building techniques and skills.
  • Lack of raw materials: Some of the traditional materials, such as marram grass, have been overharvested in the past and caused the erosion of sand dunes. Cutting of marram grass is permitted in some areas under tightly controlled conditions but it can still be difficult to source.Coir replaced hand-twisted rope in the late 19 th century; the appropriate grade is no
    longer available, and making rope by hand uneconomical. Cotton nets replaced hand-made netting in the 19 th century; this too is unavailable. Grain cultivation has markedly decreased, and when oats are grown they are varieties suitable for machine harvest; black oat has virtually vanished from farming.
  • Impermanence of materials: Highland and Islands thatching materials are less durable materials such as reed, which is now widely used for English thatch. It is a long term commitment and expense to manage a thatched roof and so they tend to be replaced with an alternative material.
    .

 

Support organisations

  • Historic Environment Scotland
  • Society for the Protection of Ancient Buildings (SPAB)
  • Shetland Museum and Archive

 

Craftspeople currently known

Individual craftspeople:

Thatching knowledge in a museum context:

  • Hannes Schnell – Highland Folk Museum, Newtonmore
  • Ian Tait – Shetland Museum and Archive
  • Auchindrain Township Museum have a trained thatcher who works on museum buildings

 

Other information

 

References

  • Tait, Ian, (2012) ‘Shetland Vernacular Buildings 1600-1900’, Shetland Times
  • (26 November 2020) ‘The Last Thatcher of the Western Isles’, Financial Times,
  • Historic Environment Scotland – Thatching with marram grass on YouTube
  • Hunnisett-Snow, Jessica, (2018) ‘Thatch in Scotland’ 
  • Fenton, A, (1976) Thatch and Thatching’, Building Construction in Scotland: Some Historical and Regional Aspects (Dunbar: SVBWG)
  • Snow, J, (2010) ‘Scottish thatch – a vanishing tradition’, The Victorian, no 34
  • SPAB, (2016) A Survey of Thatched Buildings in Scotland, Edinburgh, 2016
  • Walker, B, McGregor, C, and Stark, G, (1996) Thatch and Thatching Techniques: A Guide to Conserving Scottish Thatching Traditions, Historic Scotland Technical Advice Note 4 (Edinburgh)
  • I Whyte, (1980) ‘The Lewis Blackhouse in 1980: the end of an old tradition’, Northern Studies, no 16
  • John Wilson Associates (1986) Thatched Buildings Survey of Tiree (Oban)