Fair Isle straw back chair making

There was a strong tradition of chair making (all types) in Fair Isle throughout the 1800s, continuing in to the early 20th century and probably extending from much earlier, though it is hard to date examples. For a period, chair making on the island was done for commercial as well as creative purposes and was potentially as important an industry for the men of the isle as knitting was for the women, although there is little proof of commercial production other than oral history.

The chair bases were made of a jointed and pinned timber frame of a variety of timber types. No locally-grown timber was available and all timber construction on the island was from wood salvaged from the sea – either as parts of ships or as cargoes lost overboard or during a wreck.

The straw backs were then formed on the chair bases from lengths of cleaned straw or ‘gloy’. This was historically the bi-product of the oat crop and was used for all manner of day to day items including thatched roofs, ropes and baskets. The straw in Fair Isle straw backs is secured by tightly knotting (rather than stitching) cotton fishing line, which was more readily available than sisal or bent grass since the island’s primary income at that time was through fishing. This knotting technique is unusual in straw work of the Northern Isles and has not been identified in other straw backed chairs in the area.

There are some very clear features that can identify a Fair Isle made chair from those produced in neighbouring areas of Orkney and Shetland. This is perhaps most clearly seen in the straw backed chairs, which differ significantly from Orkney chairs; not only by a very different method of construction in their timber frame but also in a very different straw working technique – using a knotting system, rather than stitching.

There was a strong tradition of chair making (all types) in Fair Isle throughout the 1800s, continuing in to the early 20th century and probably extending from much earlier, though it is hard to date examples. The predecessors of the straw backed chairs were the simple side chairs and grander armchairs – both of which boast unique details which clearly differentiate them from their neighbours in Orkney and Shetland.

There are some amateur makers and one professional maker of Shetland chairs, but none whom make the Fair Isle styles. In Orkney, the chair makers are focused entirely on the popular straw backed style and do not recreate the other styles today.

• Lack of skills transmission: The falling population on Fair Isle means there are limited potential makers available to learn the craft in its native local. One person who had learned the skills has since moved on – a common issue on the island, where people immerse themselves in the island for a few years and then decide its not for them. There is currently no one on Fair Isle who is taking up the craft as a business
• Small business issues: The physical isolation of Fair Isle and poor internet provision provide particular challenges to craft business in terms of sales, marketing and transport of raw materials and finished product.
• Shortage of raw materials: Shetland black oats for straw backs is becoming exceptionally hard to come by as so few people grow it due to the challenging growing climate.

• Developing new markets: Eve has been working closely with others explore markets for the chairs. eg. the Cubi Chair at Bard Scotland
• Developing training opportunities: Shetland Museum and Archives have hosted winter workshops in straw techniques in 2023 and 2024 utilising local skilled artisans including Eve Eunson to pass on the knotted straw skills for the chair backs. The hope is that some of the new straw workers will be interested in progressing from baskets to chair backs and using these skills to complete furniture commissions. This has been somewhat successful, with two new strawback trainees now helping Eve complete commissions.

• Shetland Museum and Archives
• Shetland Amenity Trust

Eve Eunson and other straw artisans now offer straw work classes at the Shetland Museum and Archives during the winter.

Three groups of 10 run simultaneously – covering knotted straw, stitched straw and kishie making. Previous attendees are also welcomed back to work on their own projects.

• Shetland Museum Straw Club

• Stewart Thomson – In the early 1990s one craftsman, Stewart Thomson (junior), revived the straw backed chair making tradition on the Isle. Stewart initially set up his furniture workshop with a redundancy payment form the Norther Lighthouse Board. He saw the potential of the revival of the Fair Isle Strawback Chair as a significant contribution to Fair Isle’s economy. Until recent years, Stewart was the sole practitioner of the craft and has made around 90 straw backed chairs since he began. Stewart now only makes chairs as a hobby and for special commissions. Stewart based his chairs on an example made by his grandfather and later adapted the timber frame to his own design, while still using the traditional knotted straw technique in the backs. He also grows and hand harvests his own Shetland black oats for the straw backs. Now in his 70s, Stewart suffers from severe arthritis and other medical conditions, which have severely limited the number of chairs he is producing – he has made one in the past year.

• Eve Eunson  – has been training with Stewart Thomson and is now setting up a workshop in Shetland. Eve also completed significant first-hand research by surveying all existing examples of the Fair Isle Strawback and recording them as part of her Fair Isle Chairs Project.
• Samantha Dennis – trainee straw back chair maker
• Jan Robertson – trainee straw back chair maker

Shetland Aets – the landrace crop used in Shetland straw crafts is Avena Strigosa or Shetland Aets/Black Oats/Bristle Oat/etc. Shetland Aets have become a rare crop on the isles, only grown for novelty by a handful of crofters. Because of the low numbers of growers, the seed stock is becoming perilously low, however, the resurgence in interest in straw crafts is creating a welcome demand and interest in the crop, with various organisations coming together to boost the number of growers. Eve Eunson and Samantha Dennis were tasked by Shetland Amenity Trust in late 2023 to investigate the current situation – their work on this study is ongoing.

https://www.shetlandmuseumandarchives.org.uk/blog/research-project-commissioned-to-encourage-locals-to-grow-more-aets

Eve Eunson has researched and recorded existing examples of chairs made on Fair Isle. This information is likely to be published in due course and her research notes will be made available at the Shetland Museum and Archives

Our thanks go to our 2025 informants:

• Eve Eunson, Fair Isle Chair Maker

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