Heritage Crafts Awards
recognition for master craftspeople and emerging talent
We are open for nominations
Established in 2012, the annual Heritage Crafts Awards are a range of awards each year which shine a spotlight on those individuals who champion heritage crafts skills and trades. We are indebted to our partner organisations who provide funding for our unique suite of awards and bursaries specifically for traditional crafts, and who make this possible.
The Heritage Crafts Awards celebrate and highlight the traditional living crafts made in the UK that contribute to our national heritage, such as silversmithing, dressmaking and tailoring, upholstery, weaving, leatherworking, metalworking, stained glass, green woodworking, embroidery and similar crafts where there is a significant degree of hand skill at the point of manufacture.
- Patron’s Award for Endangered Crafts
- England Maker of the Year
- Northern Ireland Maker of the Year
- Scotland Maker of the Year
- Wales Maker of the Year
- Precious Metalworker of the Year
- Fashion Textile Maker of the Year
- Woodworker of the Year
- Emerging Building Craftsperson of the Year
- Emerging Leatherworker of the Year
- Emerging Upholsterer of the Year
- Emerging Weaver of the Year
- Emerging Green Woodworker of the Year
- Emerging Stained Glass Maker of the Year
- Emerging Embroiderer of the Year
- Emerging Metalworker of the Year
- Trainer of the Year
- Trainee of the Year
- Community Catalyst of the Year
- Lifetime Achievement Award
Before nominating yourself or someone else, we encourage you to take time to read through these important links:
- FREQUENTLY ASKED QUESTIONS – please read for useful tips
- NOMINATION QUESTIONS – for your reference
- Watch our Live Q&A Session on grants, awards and bursaries recorded on 7 April
Please note that all Awards nominations now use the same nomination form, so you can nominate yourself or someone else for multiple awards all at once from just one form.
To nominate, please click on one of the relevant Awards above
DEADLINE: 5pm, Friday 21 August
Video or audio nominations:
Alternatively, you are welcome to submit a video or audio nomination, addressing all the questions in the form – You can download the questions here. The recording ideally needs to be no more than 15 minutes in length, then emailed to Rae at [email protected].
Nominate yourself or someone else
Patron’s Award for Endangered Crafts
England Maker of the Year Award
Northern Ireland Maker of the Year Award
Scotland Maker of the Year Award
Wales Maker of the Year Award
Precious Metalworker of the Year Award
Fashion Textile Maker of the Year Award
Woodworker of the Year Award
Emerging Leatherworker of the Year Award
Emerging Upholsterer of the Year Award
Emerging Weaver of the Year Award
Emerging Green Woodworker of the Year Award
Emerging Stained Glass Maker of the Year Award
Emerging Embroiderer of the Year Award
Emerging Metalworker of the Year Award
Trainer of the Year Award
Lifetime Achievement Award
Community Catalyst of the Year Award
Trainee of the Year Award
Emerging Building Craftsperson of the Year Award
Message from HM The King
“As Patron of the Heritage Crafts Association, I am delighted to endorse this new awards scheme which supports and rewards excellence in the heritage craft sector.
Crafts are such a vital part of our British heritage and I have always been passionately concerned to promote the best aspects of our country’s traditions ― and, equally importantly, to enable these highly specialised skills to be transferred from one generation to the next.
These new awards for heritage craft celebrate excellence across the sector in a variety of ways. They reward those who give so much by volunteering to support the many different crafts, those who pass on their skills, those who wish to improve their craft skills and those who continue to produce great British craft.”
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When: 15 June 2026, 7pm
Where: Online
What does ‘sustainability’ really mean when applied to heritage crafts? In the world of mass manufacturing, economic success and environmental protection are often locked in a tug-of-war. But for heritage crafts makers, the story is entirely different. At the micro-scale, environmental sustainability, financial resilience and the safeguarding of vital cultural practices do not compete – they go hand-in-hand, each one reinforcing the other.
Join us for an inspiring online panel discussion featuring sustainable craft researcher Jemima Valentine-Lake @mimavalentinelake and Heritage Crafts Head of Craft Sustainability @maryeluned_craft. Together, they will explore how traditional, low-impact making creates a unique ‘virtuous circle’ that benefits the planet, local economies and our shared living heritage.
• For consumers – Discover how to cut through greenwashing and empower yourself to use your purchasing power for genuine good. Learn how buying local, handmade items directly supports ethical production, environmental care and the survival of endangered skills.
• For heritage crafts makers – Gain practical insights on how to articulate your unique sustainability story to your customers, helping them appreciate the profound value of investing in your work.
Whether you are a conscious consumer looking to make a positive impact or a maker searching for the best ways to communicate your ethical and cultural value, this discussion will help redefine how you view the future of sustainable consumption.
Register via the linktr.ee in our bio or at https://heritagecrafts.org.uk/events/the-virtuous-circle/
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Clinton Geldard, from Berkshire, is a veteran with over 20 years of experience in vehicle engineering and a long history of self-taught trim work, welding and fabrication. His bursary will fund specialist training at the @autointerioracademy and @artizantraining, focusing on advanced sewing techniques, machine maintenance and leatherwork skills for car interiors and wider leatherworking practices.
Clinton’s bursary is supported by @theleathersellers.
Clinton said: “The funding will give me the skillset to start my business and give me a career with longevity and purpose.”
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Laura Spencer @nova.stainedglass, from London, entered the stained glass trade in January 2025 through proactive unpaid placements, and has built a technical foundation in glass cutting, leading and site-based restoration at two London studios. Her bursary will fund a glass painting masterclass with @derekhuntartist, followed by 12 days of intensive one-to-one mentoring with @studioorme.
Laura’s bursary is supported by the British Society of Master Glass Painters @bsmgp.
Laura said: “This funding gives me the time, space, expertise and tools to explore glass painting, and enables me to take my maker skills to the next level. I’m excited to develop my own visual style with guidance from teachers I deeply admire, and to create stained glass pieces that reflect all my new learnings!”
Experience the awe of endangered crafts in our very own marquee at @craftfestival , it’s free to view with your festival entry ticket. 🎟️
In a little over a week we return to the wonderful Bovey Tracey Craft Festival and as you can see, it’s a real craft fest! 🔨 🎨 🧵 here you can see our Executive Director @danielcarpenter_ talking about the value of the skills and why they are important to protect, and @aaronvalentinestephens who was demonstrating signwriting in our tent.
There will be demonstrations, talks and so much more and we can’t wait to see you there.
#craftfestival #heritagecrafts #endangeredcrafts
#matchMAKER opportunity!
Fibrous Plasterwork Apprentice
Deadline: 31 July 2026
Location: Basildon, Essex
@fineartmouldings is seeking a motivated and hardworking apprentice to join its team and learn a specialist trade within the architectural mouldings and decorative plasterwork industry. This is a unique opportunity to work alongside experienced craftsmen and designers, producing bespoke mouldings, cornices, ceiling features and decorative architectural details for prestigious homes, heritage buildings and commercial projects across the UK.
As an apprentice, you will receive hands-on training in workshop production, mould making, casting, finishing, design processes and technical drawing. You will learn traditional craftsmanship combined with modern manufacturing techniques and develop skills that can lead to a long-term career within a highly respected specialist industry.
No previous experience is necessary, but a strong work ethic, positive attitude, and willingness to learn are essential.
Find out more including how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Tsun Hin Tang, from Leicester, brings extensive equestrian equipment maintenance experience from the Hong Kong Jockey Club and recently won third prize at the 2026 National Saddlery Competition. His bursary will fund his City & Guilds Level 2 and Level 3 training at the @walsallleatherskillscentre, covering intermediate and advanced courses in bridle, saddle and harness making.
Tsun’s bursary is supported by the @saddlerscompany.saddlershall.
Tsun said: “Receiving this funding from Heritage Crafts and the Saddlers’ Company means more to me than financial support. I began my journey in leather repair at The Hong Kong Jockey Club, and after moving to the UK I have worked hard to continue learning traditional saddlery despite language and financial challenges. This bursary gives me the opportunity to keep developing these heritage skills, build a future in the craft I love, and continue a tradition of hand craftsmanship that I deeply respect. As a Hongkonger and recent immigrant to the UK, I hope my journey can help show that heritage crafts are open to people from all backgrounds and cultures.”
Patrick Burns from the Walsall Leather Skills Centre, said: “Tsun has had one goal from the outset – to become a Master Saddler in the UK – and re-locating from Hong Kong was only the first of many sacrifices he has made in pursuit of that. Having completed the Foundation Course (and getting his first ever Certificate of which he was incredibly proud), he is close to completing intermediate Bridle and will start on both Intermediate Saddle and Harness after the Summer. We are delighted to have him as a student. He is a great ambassador for the Centre and for saddlery.”
Do you need some extra skills training to make that successful transition into craft employment or self employment?
Less than two weeks left to apply for one of our training bursaries of up to £4,000 for new and early-career heritage crafts trainees who require financial support to gain the hands-on skills they need. Training can be on a course or one-to-one in the workshop, accredited or non-accredited.
Supported the Capri Holdings Foundation for the Advancement of Diversity in Fashion, the Dulverton Trust, the Maxwell/Hanrahan Foundation, the Ashley Family Foundation, the Royal British Legion, the City & Guilds Foundation, the Newby Trust, Soane Britain, and Malcolm and Rosalind Gammie.
➡️ Apply now via the linktr.ee in our bio or directly at https://heritagecrafts.org.uk/opportunities/training-bursaries/
📅 Deadline: 5pm, Friday 12 June.
📷 2025 recipient Reianna Shakil
Over 20 posts we are profiling the recipients of our recent round of training bursaries.
Ella Clifton-Gould @ella_the_shoegirl, from Gloucestershire, has spent two years training in shoemaking, including specialising in orthopaedic footwear at @tuttyshandmadeshoes and studying in Germany. Her bursary will fund her place on the @unioftheartslondon Footwear Summer School at the @londonfashioncollege under the tutelage of Nafi Mustafa, covering course fees, travel and accommodation.
Ella’s bursary is supported by the @worshipfulcordwainers.
Ella said: “Without Heritage Crafts and the Cordwainers’ Company I wouldn’t have been able to have an experience like the shoemaking summer course. It’s been an invaluable resource and so exciting to be part of a creative community.”
Andrew Peal, @masterofthecordwainers, said: “The Worshipful Company of Cordwainers is delighted that Ella and Olive are to receive the 2026 shoemaking bursaries. It is incredibly important to the Company that we promote and support the craft of shoemaking so that it continues not only as a heritage craft but also as an important business sector in the UK. We are pleased that we can assist Ella and Olive in the development of their skills which will benefit their shoemaking careers and the UK’s footwear industry.”