Heritage Crafts

Shoe and boot making (handsewn)

The making of handsewn shoes and boots (traditionally known as cordwaining) and associated crafts including last making, pattern cutting and upper making (closing).

Heritage Crafts is currently reviewing this data in consultation with the sector.
ENDANGERED
Status
Endangered
Craft category
Leather
Historic area of significance
UK wide
Area practiced currently
UK
Current No. of professionals (Main income)
21-50 - Heritage Crafts is currently reviewing this data in consultation with the sector

History

Handsewn shoemaking or cordwaining as it is traditionally known, is deeply rooted in London’s history. “Cordwainer Ward” near Cheapside and St Paul’s Cathedral are powerful reminders of the generations of cordwainers who established London’s reputation for fine footwear.

In towns and villages across the British Isles shoemakers first worked from home, then in larger artisan workshops and then shoe making factories. Craftsmen shared knowledge and resources, whilst apprenticeships and journeymen enabled individuals from diverse backgrounds to learn a valuable trade and contribute to their
communities.

Over the centuries, from cottage industry to industrial prowess, distinct styles emerged in different parts of the country – from Irish brogues to Lancashire clogs – showing regional pride and technical variation.

From medieval times, shoemaking journeymen and apprentices travelled across the country (and overseas), from master to master, to learn their craft. From the 16 th century onward Dutch, Flemish and French refugees brought new skills, materials and techniques to London, establishing vibrant communities in Spitalfields, Soho, Fitzrovia, Southwark. By the 1830s London was the largest city in the world and home to thousands of shoemakers concentrated around Cheapside, St Paul’s, Hackney and St James. London shoemakers had gained an international reputation catering to the burgeoning middle and upper classes, making increasingly elaborate and stylish shoes and exporting shoes to the colonies and Europe. By 1841 more than 24,000 men and women were recorded in the shoemaking trade, underscoring the industry’s significance.

But it was a turning point. The demand for shoes and boots during the Napoleonic and Crimean Wars drove the development of methods of mass production beginning with Brunel’s sole riveting machine in 1810. The mechanisation of shoemaking accelerated from the 1850s onwards with the arrival of sewing machines and finally finishing machines by the 1890s. Large scale factories began to spring up in Northamptonshire, Leicestershire, Staffordshire, Cheshire and Norfolk, attracting a work force of thousands including many shoemakers from London keen to escape
the smog and ‘sweats’.

From a hiatus at the turn of the century the number of handsewn shoemakers in London dwindled over the following decades to a few hundred in the 1900s and to less than 50 post WWII. In Northampton shoe manufacturing followed a similar trajectory declining from around 200 factories mid-century to around 20 today, impacted by outsourcing and globalised manufacturing.

Cordwainers College began as the Leather Trades School in Bethnal Green in 1887, and then Cordwainers Technical College in 1913. Renamed Cordwainers College in 1991 it merged with London College of Fashion in 2000. Handsewn shoemaking remained one of the part time specialist courses offered until 2006.

Techniques

Handsewn shoemaking techniques:
  • Blocking the insole – nailing/strapping the mellow insole to the underside of the last
  • Making the hold fast – cutting a raised ridge in the underside of the insole
  • Hand lasting – pulling the leather upper over with lasting pliers by hand
  • Hand welting – stitching the welt or rand to the insole and upper using an awl and waxed thread
  • Sole stitching – stitching the sole to the welt using waxed thread and an awl
  • Heel building – building the heel layer by layer with nails and paste
  • Finishing – rasping, glassing, sanding and burnishing the soles and heels

 

  • Norwegian welt – a stitched construction where the upper leather is stitched to the upper through the insole and folded out to form the welt around the shoe or boot
  • Storm welt – a stitched construction where a strip of leather is stitched to the upper through the insole and folded out to form the welt of the shoe or boot

Sub-crafts

Alongside shoe and boot making there are other closely related crafts that are either a vital part of handsewn shoe making or that overlap in areas of skill, materials and knowledge:

  • Specialist hand tool making – there are few companies that make the specialist tools needed for shoe making
  • Last and tree making
  • Oak bark tanning and vegetable tanning
  • Cobblers – high end shoe repairers will use similar materials and share techniques such as hand lasting and hand welting
  • Clog making
  • High end manufacturing – some high end manufacturers may include handsewn shoe making techniques in their production e.g. hand lasting and hand welting

Issues affecting the viability

  • Training issues: The cost of training an apprentice is prohibitive (cost of wages, national insurance, trainer’s time, holidays, materials etc.)
  • Training issues: There are very few technical colleges which train ‘makers’ as opposed to ‘designers’ and there is very little financial support for those wanting to learn one-to-one at the bench or with a hands-on approach.
  • Training issues: Very few younger people are presented with a creative career as a viable option and there are few training opportunities and early career opportunities available
  • Market issues: There is  a market for bespoke handmade shoes but the role of the UK in this market has diminished in recent years.
  • Business issues: Small businesses and independent makers face a range of business challenges including  effective marketing, overheads, cashflow, visibility, finding customers etc.
  • Cost of raw materials: A significant issue for the craft is the high cost of good quality raw materials available in the UK.
  • Shortage of good quality tools: Shoe making and leatherworking tools are available but they are often not of a suitable quality for professional and high end makers.
  • External factors: These include rising inflation, alongside higher material and production costs; the removal of VAT refunds for tourists; customs delays and higher import/export duties; additionally there is growing ethical scrutiny of supply chains putting pressure on transparency and responsible sourcing.
  • Lack of understanding of the craft due to online misinformation: Shoes and shoe making are at risk from misinformation spread through social media and YouTube. This misinformation often misrepresents the extensive training needed to master the craft; inaccurately depicts traditional techniques and processes and misuses ‘handmade’ and ‘handsewn’.  They can also perpetuate negative perceptions of leather leading to customer confusion and undermining trust in authentic craftsmanship.

Support organisations

Training organisations

Degree and postgraduate courses
There are number of degrees that focus on footwear or include footwear as part of fashion, but most of these are primarily about design rather than the craft aspects of shoe making.
Apprenticeships and on-the-job training
Apprenticeships are limited because the sector is so small; some people will train in their craft with the support of a manufacturer. There are manufactures such as Dr. Martens who take on trainees each year to apprenticeship programmes.
Short courses and online classes
A number of shoe makers will offer short courses at a range of different levels from taster sessions to professional standard.
  • Carreducker offer a range of classes in shoe making and have trained a number of people to a high level who have become professional shoe makers

Craftspeople currently known

Other information

This craft uses products derived from animals – please read our ethical sourcing statement.

National Lottery Heritage Fund
Swire Charitable Trust
Julia Rausing Trust
The Royal Mint
Maxwell/Hanrahan Foundation
Goldsmiths' Foundation

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