Historically hand engraving has been used in both practical and decorative applications ranging from hunting arms to royal seals, from coins and bank notes to jewellery.
The craft developed in the 14th Century, when it became common for swords and other arms to be embellished and decorated, and with the development of copper plate engraving for printing. Reddaway and Walker’s early history of the Goldsmiths’ Company says that ‘gravers and the cutters of seals’ were mentioned in the first hallmarking act of 1300, when they were ordered not to keep back an undue proportion of the gold and silver removed in the engraving process They also note that a Goldsmiths Company ordinance of around 1370 set down for rules for ‘work in which some of the craft were always involved but which they could not wholly control, the making and engraving of seals and the burnishing of plate’. (p.34, 247). Note 58 of this chapter records some 15th century engravers of silver seals.
Traditionally engravers were aligned with the print industry, so there were clusters of businesses in the City of London (Clerkenwell) and of course engraving sits with jewellery/silverware production so historically businesses might be based in Hatton Garden and Birmingham’s Jewellery Quarter.
Engraving is the cutting away of metal. This is done with the burin hand tool, also known as the graver. First introduced in the 16th Century, these tools are still in use today. Some professionals will use pneumatic gravers to save time and muscle strain but they are still controlled by hand
There are two types of hand engravers:
The Hand Engravers Association have a directory of members on their website
Businesses employing two or more makers
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