Currently viable crafts




The making of textiles with surface designs produced by using layers of melted wax and cold dyes to produce wax-resist effects.


Status Currently viable
Historic area of significance
Area currently practised UK
Origin in the UK 1960s
Current no. of professionals (main income) 11-20
Current no. of professionals (sideline to main income)
Current no. of trainees
Current total no. serious amateur makers
Current total no. of leisure makers
Minimum no. of craftspeople required



Batik goes back centuries, and while textiles often don’t stand test of time, examples have been found in Egyptian tombs.  It is thought that batik spread from China/India to Indonesia. It was also practised in Africa (Nigeria and Ghana) but history there is obscure.

Batik is a fairly modern craft in the UK. It became popular in the 1960s as young people began to travel to Indonesia and the East. Batik became used by artists in Holland around the time of the art nouveau era, so there may have been a few UK artists using it then.



Batik is wax resist, textile medium (sometimes on paper). It involves heating wax (beeswax and paraffin wax usually) and painting the molten wax onto fabric, then using cold dyes (often Procion fibre reactive dyes) to add colour.  Layers of wax and dye are built up, then the wax is removed, leaving the coloured design behind.

Tools used to apply wax are canting (wax pen), brushes, sponges, metal stamps (caps), kitchen tools, feathers etc. Dyes can be sprayed on, painted on, or traditionally the whole cloth is immersed in dye bath, working through successive waxings and dyeings. Finally the wax is removed by boiling out or ironing out on absorbent paper.

Batik is used jointly with other textile media so may be used by stitchers etc as a base for embellishment.


Local forms






Issues affecting the viability of the craft

Batik in the UK is experiencing a number of challenging issues:

  • The reduction in adult education classes and library services.
  • Other demands on people’s time and disposable income.
  • Reduction in art/craft tuition in schools, and secondary education especially. Perceived health and safety issues, financial pressures and a narrowing curriculum have meant that they rarely invite crafts practitioners into schools to work with children.
  • Equipment – heating the wax safely for batik use is not particularly easy. Wax pots with thermostats are quite expensive (around £80). Also batik is quite messy, putting people off from trying at home or school etc.
  • Batik is a Javanese word and its unfamiliarity might put some people off.


Support organisations

  • The Batik Guild – a voluntary organisation with around 160 members, one third of which are overseas members


Craftspeople currently known

The Batik Guild has gallery pages which give a good idea of individual makers who are actively making in the UK.


Other information

It’s mostly people over 55 who are practising batik and the skills are not being passed on. Colleges, schools etc and younger people may try batik for a time but it will be one of many skills they dabble in.  It is rare that they would choose to take batik further and study it seriously.