Flintknapping (masonry)

 

The Radcliffe Red List of Endangered Crafts

 

Flintknapping (masonry)

 

The shaping of flint by percussive force of a hammerstone or billet, specifically for masonry purposes, such as for building or facing walls, and flushwork decoration. See the separate entry for flintknapping (objects).

 

 

Status Endangered
Historic area of significance UK
Area currently practised UK

Norfolk, Suffolk, Cambridgeshire,
Surrey, Berkshire,
Wiltshire, Dorset,
Hertfordshire, Bedfordshire, Sussex, Kent,
London, Hampshire

Origin in the UK Palaeolithic, Neolithic
Current no. of professionals (main income) 6-10
Current no. of professionals (sideline to main income)
11-20
Current no. of trainees 11-20
Current total no. serious amateur makers
21-50
Current total no. of leisure makers
11-20

 

History

Most masonry flintwork is for the repair of historic buildings, especially churches. This often involves reusing old flints, or visiting a pit to select the required flints. St Lawrence’s Church in Ipswich is quite rare in that it uses new flint.

Flint was the earliest industry from Neolithic period. Flint was being used as a building
material as early as the Roman times.

 

Techniques

  • Knapping
  • Laying flints as found

 

Local forms

Galleting, Flush work, Field flint, Shuttering, Laying to a line, Flint quoins, Squared and coursed, Random style, Chequered Pattern, Use of Chert, Puddingstone, Flint Grottos, Pressure Flaking and Cobbled

 

Sub-crafts

There are currently two types of flintknapping in the UK:

  • To make replicas of prehistoric objects such as axeheads and spearheads for use in museums, schools and archaeological research – perhaps about 5-6 people doing this professionally, and many more doing it in a non-professional capacity
  • To shape flint for use in masonry and wall faces – perhaps about 10 people doing this professionally
  • Producing Flint quoins which is highly skilled.
  • Knapping Flints to shape

The fixing of flint is also a specialist skill in itself.

 

Issues affecting the viability of the craft

  • Flintknapping is an extremely challenging craft as flint is a very restrictive and inconsistent material. The difficulty lies in the skill – such as understanding the material, the correct angle to hit it and the probable outcome, and requires technique, accuracy and hand-eye co-ordination – rather than in the physicality.
  • Quality (rather than quantity) of the raw materials: There are very few sources of good quality flint in the UK – while there are a few quarries, none produce particularly good, reliable, consistent flint – although it is hoped that there will be a good quality source again in the next couple of years.
  • Training issues: very little training in historic building crafts – most people go into the new-build sector.
  • Shortage of skills: Heritage buildings, especially churches, need heritage skills but very few people have the necessary experience as training is focused on the new-build sector. Because of the shortage of skills flint laying has been de-skilled by the creation of flint blocks which are concrete blocks with flints pressed into them. The quality and the aesthetics are not the same as a wall built free hand. This has created a means where any brick layer can produce flint by laying blocks. This is not the way forward but a short cut because of the lack of skills. There is a current fashion to clad contemporary new builds with flint.
  • Market issues: There have been developments with the demand for architectural flintwork on new properties recently, including properties that have used gauged flushwork and flint quoins.

 

Support organisations

 

Craftspeople currently known

Companies employing two or more makers

 

Other information

 

References

 

Flintknapping (objects)

Currently viable crafts

 

Flintknapping (objects)

 

The shaping of flint by percussive force or pressure from a hammerstone, billet or flaker, specifically to make objects such as stone tools, strikers for flintlock fire arms, or replica items. See the separate entry for flintknapping (masonry).

 

Status Currently viable
Historic area of significance UK
Area currently practised UK
Origin in the UK Palaeolithic

 

History

 

Techniques

 

Local forms

 

Sub-crafts

There are currently two types of flintknapping in the UK:

  • To make replicas of prehistoric objects such as axeheads and spearheads for use in museums, schools and archaeological research – perhaps about 5-6 people doing this professionally, and many more doing it in a non-professional capacity
  • To shape flint for use in masonry and wall faces – perhaps about 10 people doing this professionally

 

Issues affecting the viability of the craft

  • Flintknapping is an extremely challenging craft as flint is a very restrictive and inconsistent material. The difficulty lies in the skill – such as understanding the material, the correct angle to hit it and the probable outcome, and requires technique, accuracy and hand-eye co-ordination – rather than in the physicality.
  • Quality (rather than quantity) of the raw materials: There are very few sources of good quality flint in the UK – while there are a few quarries, none produce particularly good, reliable, consistent flint – although it is hoped that there will be a good quality source again in the next couple of years.
  • Market issues: it is likely that there will always be a market for prehistoric replica knappers, but that market is fairly saturated and can probably only support one or two more. There is a lot of competition for the best orders from prestigious museums or TV companies.
  • Lifestyle issues: have to travel a lot, which doesn’t suit everybody.
  • Quite a few people try the craft of making replica objects on day courses and many students learn/practise from someone else as part of their university research but it is not always clear if they will carry it on. There are no ‘apprentices’ learning the craft, although there might be one or two individuals who are learning seriously. There are no awarding bodies or certificates but it is not felt that this sort of infrastructure is needed and there is no one to deliver it.

 

Support organisations

 

Craftspeople currently known

 

Other information

Numbers of leisure makers: This is very difficult to estimate but there are a number of flintknapping courses and tutorials available. Flintknapping is a popular craft with reenactors and experimental archaeologists, and we we can probably surmise that there are a high number of leisure makers.

References

 

Categories of risk

The HCA Red List of Endangered Crafts

 

Categories of risk

 

Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, the HCA uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.

Shortcut to categories: Extinct | Critically Endangered | Endangered |
Not on the Red List: Currently viable

 

Extinct in the UK

Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.

 

Critically endangered

Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.

 

Endangered

Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.

 

Currently viable

Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. NB. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.

Click here to see the list of currently viable crafts