Heritage Crafts

Frame knitting

The production of knitted textiles using a framework knitting machine.
CRITICALLY ENDANGERED
Status
Critical
Craft category
Textile
Historic area of significance
Nottinghamshire, Leicestershire and Derbyshire
Area practiced currently
Nottingham (FWKM, Ruddington and G.H. Hurt & Son, Chilwell), Leicestershire (Martin Green, Independent in Kirby Muxloe)
Origin in the UK
The frame was invented in Nottinghamshire in 1589
Current No. of professionals (Main income)
0. The last commercial frame knitter retired in 2020.
Current No. of professionals (Side income)
3
Current No. of trainees
5 trainees at the Framework Knitters’ Museum, 2 trainees at G.H Hurt & Sons
Current total No. of serious amateur makers
There are around 12 experienced knitters but none have their own frame.
Current No. of leisure makers
6-10
Minimum No. of craftspeople required
12. There are several branches of knitting and people tend to specialise in only one – shawls, stockings, socks, shirts etc.

History

Framework knitting was once one of the most important industries in the East Midlands. It started in Nottinghamshire where William Lee of Calverton invented the stocking frame in 1589. After a patent was refused by Elizabeth I, Lee took his invention to France in 1608 where he later died.

Lee’s brother and other workers set up a framework knitting business in Spitalfields, London and a charter was granted forming the London Company of Framework Knitters. The greatest concentration of machines was in London but other areas, namely the East Midlands began to increase the numbers of machines until the roles were reversed and Nottingham and Leicester had the greater proportion of machines. By 1782 the East Midlands could boast 90 per cent of the country’s stocking frames. The breakthrough with cotton hose came with the introduction of Jeremiah Strutt’s attachment for the frame which produced his ‘Derby rib’ in 1759.

The East Midlands was the centre of stocking frames for some considerable time. In Nottinghamshire, areas around Mansfield, Sutton-in-Ashfield, Southwell, Bulwell, Arnold, Hucknall, Nottingham, Ruddington and Keyworth saw the rapid expansion of the domestic knitting industry.  An estimated total of 14,879 frames were being worked in Nottinghamshire.

With a change in fashion at the beginning of the 19th century, there was a decline in the framework knitters staple – ‘fancy work’. The smaller frames could only produce small quantities of quality goods at a time, whereas, the new larger frames could produce wider lengths of material and the use of ‘cut ups’ became a major grievance for the knitters, who saw the introduction of these larger machines as a threat to their skills and a reduction of standards and the loss of traditional crafts. The first Luddite disturbances occurred in Nottinghamshire in 1811.

Framework knitting was a domestic industry. The whole family worked in the industry.  The men normally did the knitting, the women spun the yarn and finished the hose, which required needlework skills for seaming and embroidery. The work was given out through a middle person and the knitters had to accept the wage or go without work. For many they lived in abject poverty and wretchedness. The children would begin to help as soon as they were able.

In the second half of the nineteenth century, steam powered knitting machines allowed the industry to progress to a proper factory based phase. Framework knitting all but disappeared with just a few knitters carrying on producing specialist work for niche markets.

Techniques

Techniques vary depending on the branch of the craft. Knitted lace or shawls requires the use of lace bars or hand transfer work. Stocking production requires producing shaped fully fashioned lengths on fabric and creating a variety of ribs. Hand frame knitting can also produce striped or diamond work.

Sub-crafts

  • Frame smithing (extinct) – The frame smith was an essential partner in this craft. We know of no frames produced after the 1950s.

Issues affecting the viability

  • Market issues: Lack of demand for hand frame produced articles
  • Market issues: Lack of awareness of frame knitting as a craft form
  • Training issues: Funding and infrastructure for training
  • Training issues: Availability of frames for training.

Support organisations

  • Worshipful Company of Framework Knitters

Training organisations

n/a

Craftspeople currently known

Individual craftspeople:

  • Matthew Hamilton
  • Martin Green – now retired from commercial knitting
  • Henry Hurt
  • Reg Robbins

According to the Framework Knitters’ Museum there are other knitters who are able but are not active.

Businesses employing two or more makers:

  • Framework Knitters’ Museum, Ruddington
  • G. H. Hurt & Son, Chilwell, Nottingham

Other information

Nottingham Trent University are trying to obtain funding to create a digital training manual for teaching the craft.

The Framework Knitters’ Museum runs weekly workshops and regular taster events.

References

National Lottery Heritage Fund
Swire Charitable Trust
The Royal Mint
Pilgrim Trust
Maxwell/Hanrahan Foundation
William Grant Foundation

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