Fore edge painting
The application of an image to the edges of the pages of a book.
|Historic area of significance|
|Area currently practised|
|Origin in the UK||17th century (1660)|
|Minimum no. of craftspeople required||1-5|
|Current no. of trainees||0 (see ‘Other information’ for further details)|
|Current no. of skilled craftspeople||3|
|Current total no. of craftspeople||3|
Fore edge painting is the craft of applying an image to the pages of a book. The page block is fanned and an image is applied to the stepped surface. If the page edges are gilded or marbled, the applied image disappears when the book is relaxed. When refanned, the painting reappears.
Earliest examples of fore edge painting are credited to the Royal binders Lewis Brothers in 1660, with a rennaissance in the second half of the eighteenth century, circa 1760-1800 with the Edwards Bindery in Halifax and London. A recent revival saw more work in the late 1900s.
A fore-edge painting, visible when the book is fanned. Photo: Martin Frost
Watercolour painting onto the fanned page edges of the book. The tips of the pages hide the image when the book is released (see examples here).
Issues affecting the viability of the craft
Lack of demand for product/skills
Craftspeople currently known
- Current number of trainees: There are currently no formal trainees in fore edge painting. Over 300 people have taken part in workshops in the UK and USA but none are practising.
Weber, Jeff. (2010). Annotated Dictionary of Fore-edge Painting Artists & Binders. The Fore-edge Paintings of Miss C. B. Currie; with a Catalogue Raisonné. Los Angeles: Weber Rare Books.
Weber, Carl. (1966). Fore-edge painting: a historical survey of a curious art in book decoration.