HCA Patron and ceramics producer Emma Bridgewater was amongst our keynote speakers at our 2018 conference Crafts for the Future, held on 24 March 2018 at the Royal Society of Medicine in London. After lunch celebrated the winners and runners up of the Heritage Crafts Awards sponsored and funded by QEST, The Arts Society and the Marsh Christian Trust. In the afternoon session we heard from selected makers on the HCA/Radcliffe Red List of Endangered Crafts.
- Emma Bridgewater, ceramics producer and HCA Patron
- Sam Walton, Hole & Corner magazine
- Paul Martin, TV presenter and HCA Patron
Afternoon speakers from the HCA Radcliffe Red List critically endangered category:
- Martin Frost, fore-edge painter
- Skelton Saws. saw makers
- Wim Visscher, parchmenter
- Jojo Wood, apprentice clog maker and wood worker
- Jacob Moss, curator of the Fan Museum
Download the full programme here
Pre-apprenticeship first contact opportunities for young people and heritage craft businesses
A theory of change advisory document from an Ernest Cook funded pilot project in South West England
Written and compiled by Tracy Hill, The Creativity Chamber, for the Heritage Crafts Association – November 2017
This document provides guidance to any organisation or agency considering setting up ‘first contact’ opportunities for young people who wish to embark upon apprenticeship-style training and employment with heritage craft businesses. It explores the challenges to small heritage craft businesses in delivering these types of training and career opportunities, interrogates the pros and cons of accreditation, and advises on best practice in relation to stakeholder engagement – specifically how businesses, education providers and young people can work together to ensure succession and sustainability for the heritage craft business.
The education system (from primary through to Higher Education), economic development agencies and cultural identity initiatives all have a role in addressing the complicated issues surrounding apprenticeship-style training in heritage crafts.
This document collates learning from the Ernest Cook Trust funded pilot pre-apprenticeship project delivered by the Heritage Crafts Association (HCA) in West Somerset, alongside interview and survey data gathered from businesses, young people and education providers. It reviews current delivery of apprenticeship-style training and includes proposals for a Theory of Change model.
Download Getting Into Heritage Crafts (PDF, 2.1MB)
Zoe Collis, new apprentice at Two Rivers Paper Mill
When we set out on our Ernest Cook Trust funded Countryside Crafts Pre-apprenticeship project last year our main aim was to trial low-risk opportunities for heritage crafts businesses and young people to come together to explore the possibility of apprenticeship-style training. It was founded on the premise that while many heritage crafts businesses know that their long-term sustainability depends on taking on young people, when they are working hard to make ends meet then investing the time in a young person they don’t know can be a risk if there’s a chance it might not go anywhere.
We are delighted therefore that not only have we had the chance to trial these kind of encounters and have written a guidance document for other organisations who wish to do similar (available here), but amazingly one of our placements has resulted in a full-time apprenticeship for Zoe Collis at Two Rivers Paper Mill on Exmoor in Somerset.
Zoe will be one of a select few nationally to be taking part in the Crafts Trailblazer scheme for paper making, a three-year programme incorporating on-the-job training, day release at a local college to achieve Performing Engineering Operations accreditation and a bespoke model of Business Improvement Techniques. There will be six visits over two years to other mills around the country to receive the final Level 3 qualification. Two Rivers Paper owner Jim Patterson said:
We have seen the future… and it ‘s called Zoe… I’m really pleased with the way [she] is settling in. Gaining in confidence, starting to work independently and beginning to make a real contribution.
We are so grateful to the Ernest Cook Trust for funding this project, without which this opportunity would never have come about, and Project Manager Tracy Hill for delivering such a good outcome. We look forward to following Zoe through her new career as a paper maker!
Harp maker Allan Shiers, winner of the 2016 HCA Maker of the Year award
This year the Heritage Crafts Association is delighted to be partnering with the Marsh Christian Trust, The Arts Society and the Queen Elizabeth Scholarship Trust to offer a suite of awards and bursaries to celebrate and highlight traditional living crafts. In all £23,500 is available.
Previous 2016 HCA Maker of the Year, Allan Shiers, said:
The HCA income frees you up to do some things you would not otherwise been able to do – the ideas that lurked in the long grass but really needed to be given time. I’ve completed my new idea for a new semi-tone device and written up a dossier for it – so far we’ve a had a lot of interest from all over the world. We also used the publicity from the HCA Award for our website/social media and had an article in the local newspaper. After 40 years making harps, it was quite a special moment for me to have some recognition for all the hard work and skills passed on.
You can read more experiences of previous winners here.
Applications for this year’s awards open 1 September 2017 and the deadline is 30 November 2017.
Apply today at awards.heritagecrafts.org.uk.
Lee Mapley, the only Master Parchmenter in the UK, scraping a vellum skin © 2013 Patricia Lovett MBE
The Heritage Crafts Association is delighted to report that one of the seventeen critically endangered crafts identified in the Radcliffe Red List for Endangered Crafts is looking for a new trainee. William Cowley Ltd., maker of high quality parchment and vellum, is looking for an additional employee to ensure that craft skills which have been passed down through the generations are continued into the future.
“This is a wonderful opportunity for anyone who wants to learn one of the oldest crafts making a top quality luxury product,” said Patricia Lovett MBE, Vice-Chair of the Heritage Crafts Association. She added: “This affects me personally in my work as a scribe and illuminator as the skins from William Cowley are the best in the world”.
William Cowley is the one remaining maker of vellum and parchment in the UK; vellum and parchment are luxury products used for the highest quality documents, drums and book bindings. Lee Mapley is the only fully qualified master parchmenter in Britain and he will be training the successful applicant.
William Cowley is looking for someone who is not only willing to put in the hard work and dedication to learn the craft but who also has social media experience and IT skills and can help to develop the business.
For information about how to apply, go to www.williamcowley.co.uk/news/an-exciting-and-rare-opportunity.